Directing
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“A pink moving screen will stand at the entrance to the theatre, in the night. One hour before the screening a projectionist will show Griffith’s Intolerance on this screen. The start of the film will be announced at 8.30 but no one will enter before 9.30. During these 60 minutes of waiting, people on the first floor of the building will shake out very dusty carpets, and someone else will throw ice water on the heads of those spectators waiting for the screening. Some actors who have infiltrated the crowd will insult other actors on the first floor. At this moment only, and to stop the beginning of a scandal, the doors of the theatre will open…”
In her approach as a close observer of certain creators in the Letterist Movement, which has revealed CREATION as the central value of a new philosophical system, and as a witness of the multiform creations of an important creator of this movement, and his efforts to help building a richer and happier world, in order to leave a trace upon the world of silence imposed on contemporary artists, the author has selected here lively, peaceful scenes showing a happy life. This is a chiseling letterist film, in which image during the accelerated montage, disynchronising image and sound, has been itself chiseled by drawing on the views, abstract, symbolic figures which reinforce its meaning.
