Documentary about the problem district of Gropiusstadt in Berlin.

Because of a bet, Werner and his friend have to construct the fastest vehicle to win a race, because life depends on it.

Because of a bet, Werner and his friend have to construct the fastest vehicle to win a race, because life depends on it.

A wicked investor wants Werner's residential area razed to the ground in order to build a shopping center. However, building tycoon Günzelsen has not reckoned with Werner. Together with his master Röhrich he's planning to blow away the plumbings with a gigantic obstruction...

A wicked investor wants Werner's residential area razed to the ground in order to build a shopping center. However, building tycoon Günzelsen has not reckoned with Werner. Together with his master Röhrich he's planning to blow away the plumbings with a gigantic obstruction...

A documentary film showing life in one of Hamburg’s homes for seniors. Over the course of six months, Elfi Mikesch interviewed and filmed the inhabitants, concentrating on a female couple who are spending the rest of their lives together in a close and intimate relationship.

A documentary film showing life in one of Hamburg’s homes for seniors. Over the course of six months, Elfi Mikesch interviewed and filmed the inhabitants, concentrating on a female couple who are spending the rest of their lives together in a close and intimate relationship.

The story of a short but intense friendship between two very different women in Berlin. Mascha, in her mid-30’s, worked as a television editor for years before dropping out to make two self-financed and unexpectedly successful theatrical films. At the moment, she is taking a break – she’s run out of ideas. Her plight is made worse by her boyfriend Frank’s unsympathetic attitude. He is a head of production, from a working class background, an unscrupulous career man, and won’t tolerate an unsuccessful woman around him. In the midst of this exasperating mess, Mascha meets the ‘’wolf girl’’, Dennis, a young black rebel who works as a cleaner in a theater. The girl fascinates Mascha and she finally breaks her long, loveless relationship with frank so she can spend more time with Dennis. The two women move in together: Mascha because she wants to turn the simple ‘’wild’’ Dennis into a more sedate person, and Dennis because she has secret hopes of finding human warmth and shelter.

This film is in effect a slideshow of exquisite single photographic images in sparkling black and white, representing Mikesch’s own version of Mary Stuart. “The drama of a woman who attempted a kind of liberal emancipation in a time of upheaval, but got caught in the snares of men,” in her words. Confronted with layers and layers of conflicting information about “how it really was” Mikesch decided not to try to be a historian, but to radicalise the narrative and condense it into striking images of passion, power, love, pain and death.