
Costume & Make-Up
Christian Marie Marc Lacroix (born 16 May 1951) is a French fashion designer. The name may also refer to the company he founded. Lacroix's designs combine luxury and insouciance. He prefers artisanal trades, fringe, bead, and embroidery. He's characterized by a strong sense of colour, and patterns mix. Lacroix was born in Arles, Bouches-du-Rhône in southern France. At a young age he began sketching historical costumes and fashions. Lacroix graduated from secondary school in 1969 and moved to Montpellier, to study Art History at the University of Montpellier. In 1971, he enrolled at the Sorbonne in Paris. While working on a dissertation on dress in French 18th-century painting, Lacroix also pursued a program in museum studies at the École du Louvre. His aspiration during this time was to become a museum curator. It was during this time he met his future wife Françoise Rosenthiel, whom he married in 1974. In 1987, he opened his own haute couture house. He began putting out ready-to-wear in 1988 drawing inspiration from diverse cultures. Critics commented that he did not seem to understand the type of clothing the working woman needed. In 1989, Lacroix launched jewelry, handbags, shoes, glasses, scarves, and ties (along with ready-to-wear). In this same year, he opened boutiques within Paris, Arles, Aix-en-Provence, Toulouse, London, Geneva, and Japan. With his background in historical costume and clothing, Lacroix soon made headlines with his opulent, fantasy creations, including the short puffball skirt ("le pouf"), rose prints, and low décolleté necklines. He referenced widely from other styles—from fashion history (the corset and the crinoline), from folklore, and from many parts of the world—and he mixed his references in a topsy-turvy manner. He favored the hot colors of the Mediterranean region, a hodgepodge of patterns, and experimental fabrics, sometimes handwoven in local workshops. From 1987 to its purchase from LVMH by Falic Fashion Group in 2005, the fashion house had cumulative losses of more than €44 million. In 2009, the fashion house, owned by duty-free retailer Falic Fashion Group, put the business into administration and laid off all but 12 workers. Lacroix's A/W 2009 Haute Couture was privately financed by Lacroix and each model was paid €50. "I didn't want to cry," said Lacroix "I want to continue, maybe in a different way, with a small atelier. What I really care about is the women who do this work" Lacroix said about his last Haute Couture collection. Throughout its history, it never turned a profit and reported a €10 million loss in 2008. His collections during 1994 were based on old culture and folklore, as well as fables and the past. In 1995, he launched a towel line which contained a fashion and lifestyle side, which represent how the two intertwine ("two sides of the same coin"). In 1996, he launched a jeans line. He included past traditions from all around the world, continuing the line with even more on ethnic arts. In 1997, the Art de la Table line was launched by him in partnership with Christofle. A licensing agreement was also reached in this year with Pronuptian in which he could launch his Christian Lacroix Marriage line. ... Source: Article "Christian Lacroix" from Wikipedia in English, licensed under CC-BY-SA 3.0.

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?

During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.


A walk through the life and career of the legendary French photojournalist Christine Spengler, known as Moonface, one of the few female war reporters in the seventies, also a writer and surrealist painter, who worked in Chad, Northern Ireland, Vietnam, Cambodia, Afghanistan, Lebanon, Iran, Iraq and other places where unfortunately war and death prevailed for years.

A private look at the fall 1994 fashion collections in Paris.


Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

Jewels, ballet in three parts choreographed by George Balanchine for the New York City Ballet, recorded in October / November 2005 at the Opéra National de Paris.

Jewels, ballet in three parts choreographed by George Balanchine for the New York City Ballet, recorded in October / November 2005 at the Opéra National de Paris.


La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.

La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.


True tale of the tumultuous love affair between two French literary icons of the 19th Century, novelist George Sand and poet Alfred de Musset. But their affair falls apart during an excursion to Venice, Italy where Musset is distracted by drugs and Sand by a handsome doctor.

In this new "Marriage of Figaro", Jérémie Rhorer revisits this composer and US film director James Gray makes his first foray into opera. This opera is recorded for broadcast by Louise Narboni.

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

