The body of Christian Rommedahl, from Denmark, washes up on the Flensburg Fjord. The victim's friend and work colleague, Lasse Jørgensen, is the target of the new investigator duo Svenja Rasmussen and Antoine Haller. Another lead leads the inspector to the Flensburg liquor dealer Philipp Schaaf. There also seems to be a connection between him and the dead. Because photos of Schaaf's daughter Lisa are found on the dead person's cell phone, and Lasse also seems to be involved.

Sarah is loud, non-conform, rude, honest and provocative. She seems invincible, but she is lonely and lost. Struggling with her daily life.

VINCENT, a struggling art-thief and failed artist, stole Malewitsch’s legendary abstract painting the „Black Square”. The sale and handover to a Russian Oligarch and his designated art expert MARTHA is set to take place on a cruise ship. When Vincent and his younger partner NILS realise that their principal accomplice will not show-up to provide the boarding tickets and fake ID’s, they desperately overbear two men in order to sneak their way onto the ship. To their horror they quickly learn that their victims are part of the cruise ship’s entertainment act. Desperate not to blow their cover, Vincent and Nils take on their roles as David Bowie and Elvis Presley doubles with varying degrees of success. Despite his best efforts, Vincent’s talents hardly convince the passengers and it does not take long until various crew members discover their true identities and the value of their loot. A wild goose chase for the “Black Square” breaks loose in the belly of the cruise ship…

Magdalena has to wash glasses at her own graduation ball. Rudi, who is in love with her, has to endure the presence of her boyfriend Julian. Julian doesn't have to do anything, but lets his mother look after him. They are united by one wish: To find their own path in life - not an easy task when, firstly, there is no guidance and, secondly, the dear family with all its lived compromises, lost ideals and a good dose of resignation stands in the way.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

After aspiring poet Johann Wolfgang von Goethe fails his law exams, he's sent to a sleepy provincial court to reform. Instead, he falls for Lotte, a young woman who is promised to another man.

East Germany. Summer, late 70's. Three years after her boyfriend Wassilij's apparent death, Nelly Senff decides to escape from behind the Berlin wall with her son Alexej, leaving her traumatic memories and past behind. Pretending to marry a West German, she crosses the border to start a new life in the West. But soon her past starts to haunt her as the Allied Secret Service begin to question Wassilij's mysterious disappearance. Is he still alive? Was he a spy? Plagued by her past and fraught with paranoia, Nelly is forced to choose between discovering the truth about her former lover and her hopes for a better tomorrow.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

Andreas wants Kim, but Kim wants something more. She wants a penis. She doesn't want to talk about this with Andreas. And when their best friend, Anna, moves in, it all gets to be a bit much. But if two people feel lonely around each other, can they be less alone when there are three of them?