Michael is supposed to go to prison for 18 months, but escapes from the police officer. On the run, he meets Malika, who has also committed "stupid things." Together, they flee from the "third eye" of her mother, who, according to Malika, can see into the distance.

1955, un internat en Belgique. Laurent Matagne, 17 ans, croit discerner sous l'identité de son professeur de français surnommé "Vapeur", son père disparu lors d'un raid aérien pendant la guerre 40. Vapeur est excentrique, mystérieux, inquiétant, brillant, et il communique vite à Laurent sa passion pour la littérature, au point de susciter chez lui une vocation d'écrivain. Matagne et son ami Boulette décident de mener l'enquête. Alors qu'ils échafaudent un plan pour confondre Vapeur, Matagne s'attèle à son premier roman.

Just before twilight, a small plane lands on the runway of a country airport. One passenger disembarks: Joe, the last survivor of a Jewish family, the Falsches. He has an appointment with them all tonight, forty years after leaving Berlin for New York in 1938. The Falsches are all waiting for him in the arrival lounge: those who perished in the concentration camps; those who left with Joe in 1938; and those who returned to Berlin after the war. Lilli, a young German woman, is there too; she is the daughter of a Nazi official, who was the love of Joe's youth, and who died during the bombing of Berlin. For Joe, it is a night of encounters, of celebrations beyond life and death.

A young woman tries to ease herself out of the closet without terrifying her parents in the process in this comedy-drama. The year is 1969, and Sacha (Marie Bunel) is a young Belgian woman living in Canada. Sacha's family sent her to Canada to attend medical school, but she hasn't had the heart to tell them that she's dropped out of college to devote herself to her new interest in photography. Sacha also hasn't told her parents that she's a lesbian -- and that she has a new girlfriend, Odile (Macha Grenon). Odile is tired of being kept a secret, and insists that Sacha tell her parents the truth before American astronauts land on the moon in a few months -- or else. Sacha flies home to Belgium for a visit, planning to come clean to her folks, but she discovers they've arranged a huge welcome home party for the entire neighborhood. With everyone so excited that the soon-to-be-doctor is paying them a visit, Sacha wonders when the time will be right to give her family the news.

The photographer and family man Matyas is married and has a happy life with his beloved wife Claire, who is pregnant and near the delivery, and his young son Pierre. Matyas was raised in an orphanage, and he believes his mother died when he was six. However, he receives a correspondence and discovers that his mother has just passed away and that he has a twin brother, Thomas. Matyas does not recall his childhood with his mother and brother and has problems with blood. When Thomas visits his family, Matyas becomes paranoid, believing that his sibling wishes to takeover his family.

Half-brothers Galaad and Noé first meet at their father's funeral. They have little in common, apart from an equal share of personal failures. Convinced that the evil eye has been dogging them ever since their father stole a sacred relic, Galaad convinces Noé to act. Suddenly adventurers, the two men set out in search of the stolen object, and in search of the chance that has shunned them until now.

A Silver Bear award winning short feature about a man's head - "a sort of mutilated Teiresia" - from the depths of time who knows the past and predicts the future. Having a gift of ubiquity which allows him to save the skin of a young soldier fleeing opposing troops

A car parked in a residential neighborhood. A father and son gradually strike up a conversation. Love, sex, motherhood, and death. An unusual complicity, a symbiotic relationship. Time passes, voices rise, and questions remain unanswered: what are they waiting for? And above all... what are they about to do?

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.