Maria, Helga and Kiki were best friends in their youth. Now there has been radio silence between them for many years. One day, the ladies meet by chance and it is the first step into a new life.

ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea

In 1818, when Joseph Mohr is assigned to be the new assistant priest in Oberndorf, a small Austrian town near Salzburg, the young man is full of ideas and ideals. His passion to bring the church closer to the common people sets him on a collision course with his new superior, Father Nostler. When Mohr organizes a church choir that includes outcasts from the local tavern and performs in German instead of Latin, Nostler threatens him with disciplinary action. Their relationship further deteriorates when Maria a regular tavern patron, surprisingly joins the performance of the all-male church choir. As Mohr's initial successes start to crumble and his efforts backfire on him, he loses all hope and faces a trial of faith. The night before Christmas, Mohr has to decide if he will accept defeat and leave Oberndorf or embrace the true significance of the Holy Night.