
Acting
Christa Ludwig (16 March 1928 – 24 April 2021) was a German mezzo-soprano and sometime dramatic soprano, distinguished for her performances of opera, lieder, oratorio, and other major religious works like masses, passions, and solos in symphonic literature. Her performing career spanned almost half a century, from the late 1940s until the early 1990s. She sang at many international opera houses and festivals, including at the Vienna State Opera from 1955 to 1994, and at the Metropolitan Opera in many roles. She is remembered for roles such as Mozart's Dorabella, Beethoven's Leonore in Fidelio, Wagner's Kundry, and both Octavian and the Marschallin in Der Rosenkavalier by Richard Strauss. In Vienna, she created the title role of Gottfried von Einem's Der Besuch der alten Dame in 1971. She is widely recognised as having been one of the most significant and distinguished singers of the 20th century. The NPR Listener's Encyclopedia of Classical Music (2006) stated "Ludwig possessed a voice of exquisite richness and, when needed, breathtaking amplitude. She had the ability to impart dramatic urgency to a performance, the hallmark of a great singer." Ludwig was born in Berlin to a musical family. Her father, Anton Ludwig, who began his singing career as a baritone and later moved into the tenor repertory, was also an opera administrator, and her mother, Eugenie Besalla-Ludwig, was a mezzo-soprano who sang at the Aachen Opera during Herbert von Karajan's period as conductor. Ludwig grew up in Aachen, where her first voice teacher was her mother. At age eight, she sang an aria of the Queen of the Night in Mozart's The Magic Flute. At Aachen Conservatory, she studied piano, cello, flute and music theory. The family moved to Hanau when their home was bombed in 1944. She studied voice at the Musikhochschule Frankfurt. Ludwig made her stage debut in 1946 at the age of 18 as Orlovsky in Die Fledermaus by Johann Strauss at the Oper Frankfurt, where she sang until 1952. She was a member of the Staatstheater Darmstadt from 1952 to 1954, then sang for the 1954/55 season at the Staatsoper Hannover. She joined the Vienna State Opera in 1955, where she became one of its principal artists and was awarded the title Kammersängerin in 1962. She performed with the company for more than thirty years in 43 opera roles and 769 performances. In 1954, she made her debut at the Salzburg Festival as Cherubino in Mozart's The Marriage of Figaro, conducted by Karl Böhm, and appeared there regularly until 1981. At the Vienna State Opera, she created the title role of Gottfried von Einem's Der Besuch der alten Dame on 23 May 1971, conducted by Horst Stein and alongside Eberhard Waechter as her lover Alfred Ill. The performance was recorded by Deutsche Grammophon, and reissued on CD by Amadeo and later Orfeo. ... Source: Article "Christa Ludwig" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Documentary about female opera stars.

Requiem in D minor, K 626 by Mozart, Wolfgang Amadeus Performer: Walter Berry Gundula Janowitz Christa Ludwig Peter Schreier Orchestra/Ensemble: Wienere Symphoniker Orchestra Conductor: Bohm Karl Chor der Wiener Staatsoper Period: Classical Written: 1971 ; UNITEL

From the gorgeous scene deep in the river Rhine that opens the opera, up to the magic Rainbow Bridge that appears at the end, leading to a glistening Valhalla, Otto Schenk’s production captures the scenic world of Wagner’s Ring as brilliantly as James Levine and the Met orchestra capture the musical world. The cast is incomporable: an astounding James Morris as the young god Wotan, the great Christa Ludwig as his wife Fricka, incandescent Siegfried Jerusalem as Loge, the wily god of fire, and Ekkehard Wlaschiha as a complex Alberich.


The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)


On stage, Christa Ludwig's Leonore puts all others in the shade. In this role, she achieves something rare: a perfect unity of stage character and singer. Her male disguise is believable; this Fidelio is a slender, lanky young man with whom it is easy to imagine the silly Marzelline falling in love.

Mirella Freni, Placido Domingo, Christa Ludwig, and Robert Kerns star in this Jean-Pierre Ponnelle-directed version of the Puccini opera, with Herbert von Karajan conducting the Vienna Philharmonic. Madama Butterfly is a staple of the standard operatic repertoire for companies around the world, ranking 7th in the Operabase list of the most-performed operas worldwide.

The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.

