If the word Enceinte (meaning the “main defensive enclosure of a fortification”) is synonymous with “the body of the place”– what does it means to live within a body that is outside of time and without purpose? could these places be considered Hetrotopias? Or are they – as WG Sebald describes – alien structures denuded from human history? The first collaboration between filmmaker Luke Fowler and acclaimed sound recordist Chris Watson. Enceindre is a study in film and sound of two 16th century fortified cities: Berwick in the North-East of England and Pamplona in the Navarre region of the North of Spain. The film considers the wider psychological and social resonances of what it means to live within a town defined by its historical complex of defensive walls and bastions. By adopting an “infra-sensitive” approach to place; Enceindre draws on overlooked acoustic perspectives and lucid camerawork to propose a new framework in which to consider these anachronistic structures.

The story of life on our planet by the man who has seen more of the natural world than any other. In more than 90 years, Attenborough has visited every continent on the globe, exploring the wild places of our planet and documenting the living world in all its variety and wonder. Addressing the biggest challenges facing life on our planet, the film offers a powerful message of hope for future generations.

As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.

After a devastating earthquake, Nga, an old elephant and probably the last of its species, and Sanra, his mahout, are about to embark on a journey to find the mythical elephant’s graveyard. The group of poachers following them will die one after the other under mysterious circumstances and spells.

The Garden addresses a recurring theme for David Hartt: the historically determined world that we call "natural" and tend to consider as lying beyond the flow of time. Through stop-action cinematography Hartt makes time palpable and eerie, turning the passage of seconds into a dystopian stutter.

Victoria Wood presents the true story behind Britain's timeless comedy. Includes footage of the cast on location and incredible personal tales about the making of the series. Was Arthur Lowe really just like Captain Mainwaring? Why did the warden always end up in the water? And how did Corporal Jones find a bomb down his trousers? Find out why Dad's Army was the Queen Mother's favourite show.