Based on the play A Midsummer Night's Dream by William Shakespeare, a choreographic film by Jean-Christophe Maillot. Gorgeous dancing – and wildly imaginative sets and costumes – bring to vivid life the ecstatic, elegant eroticism in Shakespeare‘s classic fantasy. Recorded at The Grimaldi Forum Monaco, 2009.

Inspired by Charles Perrault's famous fairy tale "The Sleeping Beauty," choreographer Jean-Christophe Maillot homes in on the theme of abstinence and virtue vs. carnal desire in this bewitching ballet. Performed by Les Ballets de Monte-Carlo and featuring the music of Pyotr Tchaikovsky, this enchanting production won the Nijinsky Award for Best Choreographic Production 2001 and the Danza & Danza Prize for Best Show 2002.

Jean-Christophe Maillot-directed ballet performance. Filmed at the Grimaldi Forum in Monaco in 2002, Jean-Christophe Maillot has revived the essence of the original Sleeping Beauty fairy tale by Charles Perrault. The well-known fairy tale has been softened and sentimentalized over the years by both the Petipa and Tchaikovsky ballet and also the Walt Disney animated film. Maillot essentially puts the sex back into the story, interweaving the fantastic and the natural; he constantly amazes us throughout this exceptional dance piece, which was honoured with a Nijinsky Award.

Jean-Christophe Maillot's Romeo and Juliet transports us into the tormented soul of Brother Lawrence: the action is staged as a flashback to the events leading up to the young lovers' tragic demise. Joined by the Monte Carlo Philharmonic Orchestra under the direction of David Garforth, Bernice Coppieters (Juliet) and Chris Roelandt (Romeo) lead the prestigious Ballets de Monte-Carlo in this riveting 2002 interpretation of Prokofiev’s masterpiece.

Jean-Christophe Maillot's Cinderella explores the parallel universes of artifice and simplicity and reflects on how loss can shape the direction of a life. The "choreographed film" features the artists of the Ballets of Monte Carlo dancing to Prokofiev's score, which is magnificently interpreted by the Cleveland Orchestra under the baton of Vladimir Ashkenazy.