Directing
Gyeong-ok Choi was a South Korean film director, cinematographer, and producer active from the late 1950s to the early 1970s. He began his career as a cinematographer, contributing to films such as A College Woman's Confession (1958) and Madam White Snake (1960). Choi transitioned to directing with works like That Man in Chang-An (1967) and Blind Swordswoman (1969). His films often explored themes of revenge and martial arts, reflecting the cinematic trends of South Korea during that period.

Seol Hie loses her parents and eyes to the murderous brutality of General Woo Shin-tak. She trains herself in swordsmanship and martial arts for the next two decades before setting out to even the score with Woo.

A handsome swordsman is in love with his teacher’s daughter. However, a student has been promised her hand in marriage. A fight leaves the young Jedi with two less arms. The armless vigilante takes refuge and plans revenge on those that wronged him.

On the eighth of April of King Gyoeng-deok's 10th year of the reign of the Unified Silla Period, Guseulagi, a daughter of Yu Jong, joins the king's parade to Bulguksa Temple, where she meets a stonemason named Asadal from Buyeo. Having a crush on him, she visits Sakyamuni Pagoda, a masonic site; only to find that Asadal had broken down from exhaustion. While she takes care of him, her love for him grows. But Asadal misses his wife who is waiting for him in Buyeo. Meanwhile, Geum Seong who has a crush on Guseulagi, asks his father, Geum Ji, to propose on behalf of him. But Yu Jong is so dissatisfied with Geum Ji because he is a treacherous subject, that he turns down the proposal, instead of hurrying up his daughter's marriage with Gyeongsin, a faithful subject. Asanyeo who has been waiting for her husband Asadal in Buyeo goes to Bulguksa Temple after her father-in-law had died.

Dr. Nam, in his will, requests that his eldest daughter, Jeong-hui(Choe Eun-hui), marry a painter named Dong-su (Nam Gung-won). Jeong-hui is at risk of losing her house due to her father's debt, and a young physician Sun-cheol (Kim Seok-hun) who received his college education with the financial support of Dr. Nam, helps her by selling his own house. Despite his love for her, Sun-cheol cannot express his feelings because he knows of the request in her father's will. When Jeong-hui looks for a job to support her family, Bang, whom Dr. Nam once cured, offers her a position of saloon madam. Meanwhile, her younger sister Myeong-hui (Choe Ji-hui) promises Dong-su her hand in marriage. Jeong-hui, now running the saloon, wishes them happiness. It is only when she gets a proposal from Bang and decides to accept it that Sun-cheol confesses his love for her. Moved by Sun-cheol's true affection for her, Bang gives her up, and Sun-cheol and Jeong-hui exchange vows of marriage.
Korean secret agent Bai Min is sent on a mission to Hong Kong. The coveted military information is nowhere to be found and two of the Korean spies are found murdered. Following the leads left by his unfortunate predecessors, Bai reaches the arms dealer Sha Lao Te through the courtesan Xianglan and her vast network of social connections. Without her realising it, the undercover agent Xianglan falls in love with her very antagonist, who in turn is growing increasingly fond of the fellow agent coming to his aid, Maria. Already consumed with jealousy and now perturbed by the increasing pressure from her boss Hu Lin, Xianglan lures the duo to the nightclub where they are to meet their adversaries lying in wait. But Xianglan gets cold feet and puts her life at stake to pull Bai out of danger. Pitting both his brain and his brawn against the enemy, Bai bounces back to save Maria and accomplishes his task.

Park Nam-ho works at a Japanese pharmaceutical company and lives happily with his wife, Gyeong-hui, in a house filled with beautiful white roses. Not long after hearing the wonderful news that his wife is pregnant, Park Nam-ho is drafted into the war in the Pacific. Posted in the Gwandong army, he survives the battle, though his face is burned. Back home, Gyeong-hui receives a telegram stating that her husband is dead. When she gives birth to their son, Cheol-soo, she goes to live in Seoul. When Nam-woo comes back to the country, he doesn't go to his wife, but rather goes to live in his hometown. On his way home, he encounters a child whose mother is dead, and takes her in as his own daughter.

Sook-kyung, the youngest tomboy princess, loves playing hide and seek with her same-aged court ladies and is extremely curious about the life outside the palace. An opportunity comes for her on queen mother’s birthday celebration. Princess Sook-kyung gets to explore the outside world with the help of her older sister princesses and falls in love with a Seonggyungwan scholar she meets coincidentally. The variety of character twists in this film which is reminiscent of romantic comedies such as Roman Holiday and Shakespeare’s Twelfth Night. The queen mother with a fancy royal costume but wears glasses because of her poor vision, and the court ladies who protect the princess day and night are usually slow and doze off but have the strength to push against male henchmen. The princes outside the palace walls seem like that of a naïve country girl who eats a rice cake at the marketplace because she thinks it’s free.

Choi So-young (Choi Eun-hee), a poor female law student is in trouble because her grandmother, who had been sending her tuition money, passes away. With the help of her friend Hee-suk, (Kim Suk-il) who dreams of becoming a writer, So-young fools Choi Rim (Kim Seung-ho), a lawmaker, into believing she is his daughter and moves in his house.

A poor boarder inherits 30 million dollars from an American soldier whose life he saved during the Korean War. The stingy landlady instantly turns into a completely different person, women swarm around him, and charities ask him for donations. Gangsters come forward and try to kill him...

After the woman who nearly killed her is brought to trial, Eun-hie finds that she must take the stand to give evidence. However, the defense attempts to turn the tables on her by revealing her sordid past and trying to make it seem as if she deserved what happened to her.

THE KING WITH MY FACE (1967) offers a well-produced Shaw Bros. variation on Alexandre Dumas' famous tale, "The Man in the Iron Mask."

Seol Hie loses her parents and eyes to the murderous brutality of General Woo Shin-tak. She trains herself in swordsmanship and martial arts for the next two decades before setting out to even the score with Woo.