While serving as a journalist in World War 2 for the Imperial Army of Japan, "Takahashi Minoru" (Pak Ki Ju) sees first-hand the impact on Koreans who have had their national identity forcibly taken from them by the Japanese occupation of their country. It's at this time that he adopts a mantra of viewing an incident before writing a newspaper editorial on it. Several years later he once again visits Korea as a war correspondent during the Korean War and takes home with him several more memories that have a great effect upon him as well. Years later he becomes a respected writer and while giving a speech on the Juche system has his perspective challenged by a young man in the auditorium. Having never seen North Korea he realizes that in order to meet his own high standard of journalism he must travel there and see for himself whether his opinion is valid or not.

Having already added to the tensions between North Korea and Japan, a university professor finds that her views are considered even more dangerous now. Things quickly take a turn for the worse when missiles are launched from North Korea directly over Japanese air space.

Forty years after her father's return from North Korea a Japanese university professor is subject to harassment for advancing his views on this country. Just like her father, however, her commitment to the truth remain unwavering even though all around her fear for her health and safety.

A woman has just been newly christened in her job as a Pyongyang traffic supervisor. On her first assignment, she encounters a man who is using his work truck for personal use, along with driving unsafely. She detains him before eventually finding out that he was delivering the washing machine to her house. She attempts to hide in another room, but the man sees her. She immediately feels guilty for her actions.

An Emissary of No Return retells the story of a real historical event in 1907 known as the Hague Secret Emissary Affair. Korea had been colonized by Japan. In order to protest to the international community, the Korean emperor king Gojong sent three secret emissaries to the talks of the Hague Convention of 1907, to get the great powers to overturn the Japan–Korea Treaty of 1905.

Musical film based on the traditional story of the same name.

Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.

Sook-kyung, the youngest tomboy princess, loves playing hide and seek with her same-aged court ladies and is extremely curious about the life outside the palace. An opportunity comes for her on queen mother’s birthday celebration. Princess Sook-kyung gets to explore the outside world with the help of her older sister princesses and falls in love with a Seonggyungwan scholar she meets coincidentally. The variety of character twists in this film which is reminiscent of romantic comedies such as Roman Holiday and Shakespeare’s Twelfth Night. The queen mother with a fancy royal costume but wears glasses because of her poor vision, and the court ladies who protect the princess day and night are usually slow and doze off but have the strength to push against male henchmen. The princes outside the palace walls seem like that of a naïve country girl who eats a rice cake at the marketplace because she thinks it’s free.