Yuko, who was about to marry Tatsuo, lost Tatsuo in a car accident. Yuko is left injured and works for the debt left by her parents and her sister's school fees. Yuko who worked as a high-class club hostess. It was the most popular because of its appearance and cheerful customer service that keeps smiling. It is Akemi, a colleague, who glances at Yuko with a grudge. She was jealous of Yuko's popularity and had a strong hatred for being robbed of her customers ...

A story surrounding a statue built in 1600 called the Haunted Jizo. An evil ghost is eliminated by the power of the Haunted Jizo.

Midsummer, a housewife in a rural town, was asked by a passing movie director, Wada, to "become an actress!" And made a big decision to move to Tokyo. On the other hand, Wada, who had forgotten about such a thing, read the script written by the unsold scriptwriter Ippei and supported it. Ippei is depressed. It was midsummer who visited there, but Wada, who was not in the corner of her memory, was not so happy, and midsummer who lost her place was living together for a while with Ippei and her acting special training and script cooperation of love affairs. To start. The two of them try to make Wada blow a bubble, but Ippei gets out of touch with the sex appeal of midsummer.

[Showa Edition] Ozaki, who is in the 10th year of the university ronin, came to the boarding house introduced at the boarding house, but there is a boarding house where the widow Yuko (Kaoru Kira), who has a large amount of debt, is working alone. So ... [Heisei edition] Ozaki heads for the exam, but the perpetrator is Miyuki (Reno Aihira), who runs a boarding house, and shakes the stick for a year ... [Reiwa] Disappointed to find out that the widow's boarding house has disappeared, Ozaki finds a share house run by a woman named Alisa (Chisa Hasegawa)... Fourth film in the "Widows Boarding House?" series directed by Daikei Shimizu.

A Japanese giallo about a murderous driver roaming the street in search of prey.

Pink film directed by Yutaka Ikejima.

The relationship between Maakoand her husband Michio, who runs a printing company, has become cold. Maako repeatedly visits the home of novelist Makoto and has an affair with him, and he frequently tells her to get a divorce, but she hesitates, thinking that Michio's financial situation means he can't even pay alimony. Meanwhile, while passionately making love to Makoto, Maako makes a terrifying proposal to him: kill Michio and get the insurance money... She thought it would be easy with Makoto, a mystery writer, but...

Nana, who aims to be an actress, has no buds. Nagasaki calls out to Nana as she walks through her town. She is curtly treated by her, but invites her to a nearby cafe and asks for her Nana and Yori back. But Nana has another target. He even threatened to break up with her wife, but she insisted she wasn't interested. Unable to allow her Nagasaki to treat her unkindly and in the end be taken away by her other man, he hit her from behind. Nana is photographed naked by female photographer Chigusa. She was her next target. While teaching Nana, who has a poor expression, Chigusa inadvertently kisses her. Nana accepts Chigusa and she embraces him. She said after the fact that Nana wanted her to lend money to Chigusa. She was being chased by her apartment landlord because she was behind on her rent. Chigusa said she would send the pictures together when they were done and she said she would also introduce the producer of the film.

The Sex Detectives have got a new request from Kasumi Lovecraft, a detective from New York. Hatenashi’s manager, Maebari, tells him that he has been offered a job as an actor. Hatenashi gets in a good mood with Miona, a production staff member, during a commercial shooting and asks Miona out on a date. The date goes well and the two make love at Hatenashi’s apartment. However, on the way back from investigating the case with Kasumi to track down the missing Kido, the Director-General of the Police Agency, Hatenashi witnesses Miona secretly meeting with Harigata, a client of the commercial.

Ninomiya Hikari's movie debut. Masao, a middle-aged man who feels pain in his work, is leading a rutted married life with his wife, Yasuko. In front of Masao, his first love, Kirie, appears as she was at the time. Masao becomes able to go back and forth between the real world and another world...