Following the success of The Long Goodbye, the Taiwan Catholic Foundation of Alzheimer’s Disease and Related Dementia has embarked on a second documentary film dealing with the plight of elderly people suffering from conditions like Alzheimer’s and other degenerative disorders resulting in memory loss. When Yesterday Comes takes the route of a compendium of four shorts by different directors.

Following the success of The Long Goodbye, the Taiwan Catholic Foundation of Alzheimer’s Disease and Related Dementia has embarked on a second documentary film dealing with the plight of elderly people suffering from conditions like Alzheimer’s and other degenerative disorders resulting in memory loss. When Yesterday Comes takes the route of a compendium of four shorts by different directors.

Set at the edge of the Noto Peninsula in Ishikawa Prefecture, Japan, with its beautiful scenic views, the film revolves around two women from different backgrounds who develop a friendship, and how they begin to influence and change each other’s lives.

Focusing on Mark Lee Ping-bin, one of the most talented and prolific cinematographers in Asia, the movie details the itinerant lifestyle of a deeply observant and philosophical artist and the tolls that his profession takes on his family life.

A woman who believes she chose an unconventional path in her life is startled to find her children are stepping further beyond society's boundaries. Ai-tsao is a widow who is nearly 60 years old; her husband, over twenty years her senior, has been dead for nearly two decades, and Ai-tsao's life has settled into a comfortable routine of looking after her elderly mother and doting on her two adult children. Ai-tsao was born into a conservative and exclusionist minority family. After falling in love with a much older teacher of mainland descent, she abandoned her family and eloped. Decades later, her discovery that her son is gay and that her daughter has a black boyfriend makes her question choices in her past.

Zong is a tow truck driver. He makes a living by towing away cars parked in the prohibited areas everyday. However, he feels his work is full of complaints made by the car owners. Lian, an art teacher, has a gift to see the distinct things in this chaotic world. She always feels guilty for her occasional illegal parking. One day, Lian and Zong encounter each other, and Lian's pure and simplicity turns Zong’s “emotion switch” on...

Zong is a tow truck driver. He makes a living by towing away cars parked in the prohibited areas everyday. However, he feels his work is full of complaints made by the car owners. Lian, an art teacher, has a gift to see the distinct things in this chaotic world. She always feels guilty for her occasional illegal parking. One day, Lian and Zong encounter each other, and Lian's pure and simplicity turns Zong’s “emotion switch” on...

Should women be ashamed when they breast-feed their children in public? A female film about women's problems and men's taboos.

Should women be ashamed when they breast-feed their children in public? A female film about women's problems and men's taboos.