
Acting
Chhaya Devi (3 June 1914 – 27 April 2001) was an Indian actress known for her work in Bengali and Hindi cinema. She appeared in over two hundred films for over five decades. Her first lead role was in Debaki Bose's Bengali film Sonar Sansar (1936). Some of her notable films are Vidyapati (1937), Raat Bhore (1956), Trijama (1956), Saptapadi (1961), Nirjan Saikate (1963), Saat Pake Bandha (1963), Uttar Falguni (1963), Antony Firingee (1967), Hatey Bazarey (1967), Apanjan (1968), and Alaap (1977).

When Nabakrishna's mother died, he was just a boy. She left him enough fortune to live a well-off life. But, can money fulfil everything that one can desire in their life?
Suparna is distraught on seeing her sister getting close to her husband, Amitabha. Things take a turn for the worse when Amitabha's sister dies and the suspicion falls on Suparna.

Raja was a professional thief who went to jail for a crime. His very close assistant Bhola waited for him and when Raja returned from prison, they started planning a bigger one. One day a family came to their locality. Within a few days, Raja and Bhola became closer to that family. Mala was the only female earning member and she worked in theatre. Raja did not disclose his real identity and tried hard to impress her a lot. In the meantime, a tout Gobardhan nagged Mala a lot to join films. Raja and Bhola gave him a good punishment and saved Mala in several situations. Later Raja tried to cheat a businessperson, but an unavoidable situation changed his life. At last, Mala came to know everything about Raja and accepted him as her partner. Raja also decided to change his life and put his best effort into becoming a good man. He meets Mala and asks her to forgive Raja. Raja once again regains Mala's love and the film ends on a happy note.

Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.

Eldest brother brings up the orphaned brother single handed along with his (later) second wife's child-widow cousin. When they grow up and marry, the new wives break the family, will it rejoin? At what cost?
Krishna Rao impresses Bheemasena Rao, a dignified village leader, who gets his daughter Rukmini married to him. But will Krishna Rao stay true to Rukmini?

Manik is mentally and physically abused by the manager of the orphanage he lives in. However, when he runs away to Calcutta, he finds himself in deeper trouble in a far more dangerous world.

Raja Ram Mohan Roy, a social reformer, stands against the evil customs of the society. Soon, he starts a battle to abolish 'Sati Pratha' in the Hindu communities.

Swarupa, an introvert, fails to express her love to Kushal, who falls for Nabola, a rich and beautiful woman. However, things take a sharp turn when greedy Nabola leaves him for a wealthier man.

The widower land-lord fixes his wayward step-brother's alliance with priest's daughter. Groom disappears on wedding day, and he is forced to marry her. The brother comes back and when the elder brother dies, tries to dispossess the widow.
