Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

Sau-chen goes out with the tenant Wong Chun-ching over the protests of her class-conscious parents Eighth Uncle and his wife. To foot the medical bills of his mother, Sau-chen works as a promoter at the Products Expo for Lung Wah Pharmacy and attracts the unwanted attention of the boss Chin Hoi-ngan. Chin desires the woman as a concubine. Acting on the advice of his subordinate Chiu Chik, the boss invents a phantom son and proposes marriage with the offer of a handsome dowry. The employee Wong, short of cash and needs money fast, is drafted as his saviour to meet the parents when the plot is duly exposed. Teaming up with his tenants, Eighth Uncle invites the henpecked husband's termagant wife along and causes a scene. In gratitude of their efforts, the landlord and his wife give blessings to their daughter and her lover.

Three Against The World is a 1988 Hong Kong action film directed by Brandy Yuen and starring Andy Lau and Rosamund Kwan.

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

Wu Te-chuan is a young man trying to make a living in an easy way. But now he is penniless and will being thrown out of his Macau hotel. Kind- hearted hotel maid Hsiao Yen is the only one to help him in the world. One day, Wu plays a trick on the hotel owner. The scheme backfires and Wu has to flee to Hong Kong. Wu saves desperate painter Hsin. He convinces Hsin that his painting will sell if he is dead. After Hsin pretend to be dead, his paintings really can be sold well, but backfires finally. Then, Wu and Hsin team up and engage themselves full time in con games, gambling and sex inclusive. Finally, Wu is being chased by the ring enforcers but is saved. Finding himself in love with Hsiao Yen, Wu decides to turn a new leaf and live properly ever after.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.

Mistaken Identity is a Hong Kong Crime-Comedy directed by Tsui Siu-Ming and starring Richard Ng.

Sit Muk-fu covets the beauty of the maidservant Ku Kar-lin. Ku concocts a scheme with her husband Wong Hoi to swindle money out of the lascivious man and has to flee into hiding with Sit being stabbed to death during their secret liaison. Detector Lui Hak investigates into the murder at Ku's house and arrests the husband who has a sharp knife in his possession. Bearing witness to the murder, their daughter Bo-bo fights to prove her father's innocence. Upon receiving a score of mysterious phone calls revealing Ku's whereabouts, Lui lures the woman out with Bo-bo as bait, subduing and detaining the suspect. The detective fathoms the mystery of the murder case which leads him to another suspect, But Kei. But has been extorting money from Sit and forces his daughter, the sole heir to his inheritance, into marriage in return for concealing his murder-for-money scheme. But submits to arrest without resistance while Ku and husband walk free, acquitted of the charges.

Hong Kong comedy starring Connie Chan Po-chu