Hsiao-Lin is able to see ghosts. One night, she meets a strange ghost, asking for her help finding his daughter. She agrees and uses a catch bucket to carry him across the Donggang Township.

Ziyuan's family has a tradition of celebrating Christmas joyously, but everything changes when his parents divorce. They move to a new home; everyday objects go missing, there’s a dog on his route to school, and the saddest part is that it seemed like his parents no longer love each other! Ziyuan finds it hard to accept and decides to recreate the "Christmas Eve Secret Room Miracle" to evoke the beautiful memories of previous years...

In the 1990s, many young women from Southeast Asia, carrying their hopes and dreams, were married off to this faraway island of riches... Through a two-part narrative, the film contrasts the past and the present of Taiwanese society. Can these immigrant women across different eras break free from their predicaments in this foreign land to rediscover themselves? Can they as well as the locals, live truly free lives?

The story is centered around the transgender protagonist Tzu-chi who has left home for six years and her sister Tzu-chuan with whom she has fallen out of touch for years. From reencountering each other with Tzu-chuan unable to recognize Tzu-chi, to the emotional nuances triggered by the subsequent recognition, the story profiles the protagonist’s gender identity, the contempt and even discrimination she faces from her work and social environment, and conflicts with her family. In the story, the protagonist goes through a series of unfortunate incidents with her sister. Long-repressed emotions and pressures finally pop the cap off, but this also becomes an opportunity for Tzu-chuan to resolve her inner conflicts. This film presents the theme “one can only truly move forward in life by newly confronting the obstacles they did not overcome in the past.”

Ah Dai comes from a family that runs a prestigious orthodox temple. His childhood sweetheart, Yufan, is desperate to locate her missing aunt. In his attempt to help, Ah Dai agrees to participate in a special ritual that his schoolmates believe could help them seek assistance from the gods to grant their desires. However, they are lured into praying to evil forces instead. As his schoolmates die one after another, Ah Dai tries to use his gift to exorcise evil to save his friends. At the very end, he faces a completely demonized Yufan and must fight her to save the neighborhood.

Four school buddies — a director, a temp worker, an insurance salesman and a paper craftsman — grapple with unfulfilled dreams amid middle age ennui.

Meilian and her husband Jianhe are the most loved-up couple, but three years ago, Jianhe became a vegetative state due to an accident. To cover the substantial medical expenses needed for their son’s long-term care, the Xu family has had to rely on various government subsidies to survive. One day, they were about to undergo an assessment to apply for a new subsidy, but unexpectedly, their son Jianhe passed away! Jianhe’s mother Yinggui and father Fuqiang, desperate to receive the subsidy, coerced Meilian into creating the illusion that Jianhe was still alive, leading to a series of absurd and comical events.

It is often said that those who make films are madmen, and those who watch them are fools. A group of individuals strives for the next box office hit, as the director creates a memorable allegory in a tense yet humorous atmosphere.