A young woman works for two different men, both of whom fall in love with her. In the mornings she is secretary for a popular author and in the afternoons for a singer. Which of them will she settle for?

Pierre Pasqual has just about everything his heart desires: in his career as a commercial pilot, he is well known and successful; he has wealth and a beautiful wife. The only thing is, that because of his career, Pierre is frequently away and the thought constantly tortures him, that his wife is up to something when he’s not home. “Who’s kissing Madeleine?” is the question Pierre must have answered.

Silo is a bum; but he's a bum whose beloved by all and one day, he is found wounded on the banks of the Theiss. Fishermen take him back to the village and Maria, Alexander Renka's young wife, cares for him until he gets better. Silo's wound heals, but he decides to stick with the fishermen to find out who the intended target for the stabbing knife really was (for who would stab a beloved bum?). Maria's husband is acting really strange. He is away from home often and can be found very often near the hut of the gypsy Panna, who can allegedly bewitch any man she pleases. Maria is convinced from her womanly intuition -- never mind asking -- that her husband is doing the dirty with the gypsy and decides to abandon him and the town she lives in. With her brother, she returns to her homeland, the steppe. That same morning, Alexander Renka is found dead on the riverbank and he's been stabbed, too.

Because the soulful county doctor in a small spa town in the mountains has interfered with the business of selling "healing waters", he incurs the enmity of the local shopkeepers. And for that reason, his candidacy for the post of District Medical Officer is thwarted.

Produced by the Nazis in honor of the 150th anniversary of Mozart's death: a celebration of his music, as the film shows him traveling to Prague for the Don Giovanni premiere and inspired by his wife to compose the finale.