An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city. Paik critiques the selling of New York by multinational corporations and the city's role as the master of the media and information industries; Collaborators Yalkut, Davis and Kubota contribute their own vibrant and punchy segments.

This tape is Jud Yalkut's video realization of Charlotte Moorman and Nam June Paik's concert performance of John Cage's composition 26'1.1499" For String Player. In this extraordinary performance, which is manipulated and synthesized by Yalkut, Paik and Moorman play Cage's score on a collection of "instruments" that include a pistol, a dish of mushrooms, balloons, a practice aerial bomb, and a telephone call to President Nixon.

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.

Early documentary about the pop art scene and happenings in Germany.

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

This fascinating film documents the U.S. premiere production of Originale, a Happening by German composer Karlheinz Stockhausen. Filmed at the "2nd Annual Avant Garde Festival of New York," which was produced by Norman Seaman and Charlotte Moorman, the stage production was directed by Allan Kaprow. Performers include Nam June Paik, Moorman, Jackson Mac Low and Allen Ginsberg, among many others.