Czechoslovakian opera star Jarmila Novotná plays the title role in the Austrian tunefest "Frasquita". Based on a Franz Lehár operetta, the story is the usual frothy nonsense. Dolly (Charlott Daudert) is engaged to marry Harald (Hans Heinz-Bollmann), but she's really in love with Hippolit (Heinz Rühmann). Harald is likewise enamored of another, namely Frasquita (Jarmila Novotná).

Gretl has been living in Vienna ever since her father, Klaghofer, a small general store owner, tried to marry her off against her will to the wealthy Gruber farmer. Her disgruntled father never opened a single one of her letters. A postcard tells him that Gretl has married—and, he mistakenly assumes, to a rich man. Klaghofer sets out to celebrate the reconciliation. But as soon as he leaves his provincial Austrian hometown and arrives in Vienna, Klaghofer causes utter chaos. In the process, he repairs a troubled marriage and is delighted at the happy ending for everyone involved.

A councilor is tricked by an impostor, whom he believes to be a baron. He gives him money and his marriageable daughter -- but then the real baron shows up and plays the chauffeur.

Businessman and shameless social climber, Julius Lampe, is subjected to a cruel April Fools’ Day prank when he is led to believe a noble prince intends to personally inspect his pasta factory.

A masked hero scales the walls of buildings and relieves burglars of the money or valuables they've stolen. He donates the stolen goods to charity and turns the criminals over to the authorities. An exotic dancer falls madly in love with this hero whose face she has never seen. But who is hiding behind the mask?

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)

A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.