
Acting
Louis Charles Augustin Georges Trenet (18 May 1913 – 19 February 2001) was a renowned French singer-songwriter who composed both the music and the lyrics for nearly 1,000 songs over a career that lasted more than 60 years. These songs include "Boum!" (1938), "La Mer" (1946) and "Nationale 7" (1955). Trenet is also noted for his work with musicians Michel Emer and Léo Chauliac, with whom he recorded "Y'a d'la joie" (1938) for the first and "La Romance de Paris" (1941) and "Douce France" (1947) for the latter. He was awarded an Honorary Molière Award in 2000. Trenet was born in Avenue Charles Trenet, Narbonne, Occitanie, France, the son of Françoise Louise Constance (Caussat) and Lucien Etienne Paul Trenet. When he was age seven, his parents divorced, and he was sent to boarding school in Béziers, but he returned home just a few months later, suffering from typhoid fever. It was during his convalescence at home that he developed his artistic talents, such as performing music, painting and sculpting. His mother remarried, and he lived with her and his stepfather, writer Benno Vigny. In 1922, Trenet moved to Perpignan, this time as a day pupil. André Fons-Godail, the "Catalan Renoir" and a friend of the family, took him for excursions with painting. His poetry is said to have the painter's eye for detail and colour.[3] Many of his songs refer to his surroundings such as places near Narbonne, the Pyrenees and the Mediterranean coast. He passed his baccalauréat with high marks in 1927. After leaving school, he left for Berlin, where he studied art, and later, he also briefly studied at art schools in France. When Trenet first arrived in Paris in the 1930s, he worked in a movie studio as a props handler and assistant, and later joined the artists in the Montparnasse neighbourhood. His admiration of the surrealist poet and Catholic mystic Max Jacob (1876–1944) and his love of jazz were two factors that influenced Trenet's songs. From 1933 to 1936, he worked with the Swiss pianist Johnny Hess as a duo known as Charles and Johnny. They performed at various Parisian venues, such as Le Fiacre, La Villa d'Este, the Européen and the Alhambra. They recorded 18 discs for Pathé, the most successful of which was "Quand les beaux jours seront là/Sur le Yang-Tsé-Kiang". The Charles and Johnny records feature Hess on piano, with the two frequently singing in two-part harmonies with quickly alternating solo spots for the two. Around 1935, the duo appeared regularly on the radio on a broadcast titled Quart d'heure des enfants terribles. The duo continued until 1936 when Trenet was called up for national service. After performing this, he received the nickname that he would retain all his life: "Le Fou chantant" (The Singing Madman). He began his solo career in 1937, recording for Columbia, his first disc being "Je chante/Fleur bleue". The exuberant "Je chante" gave rise to the notion of Trenet as a "singing vagabond", a theme that appeared in a number of his early songs and films. He shot to stardom very quickly; as Jean Cocteau put it, when Trenet sang, "He was so young, so fresh that the bar yielded to a rustic decor, the projectors became the stiff branches of a cherry tree, the microphone a hollyhock, the piano a cow." ... Source: Article "Charles Trenet" from Wikipedia in English, licensed under CC-BY-SA.

Rejecting the union of her daughter Brigitte with a modest worker, Madame Magnin invents an adultery for the lover, then introduces Brigitte to a good-looking man working on the famous RTF entertainment show 36 Chandelles. The show ultimately seals the reunion of the two estranged young lovers. The story features a parade of music-hall stars from the era: Charles Trenet, Charles Aznavour, Georges Guétary, Juliette Gréco, Roger Pierre and Jean-Marc Thibault, Fernand Raynaud, Georges Ulmer and many more.

The result of an investigation that lasted several months, this documentary film reveals the extent of a phenomenon that we thought had disappeared: the traps, sometimes deadly, that target homosexuals on dating applications or sites. Ten years after the law opening marriage to same-sex couples, and in the run-up to the World Day against LGBTphobia on May 17, it demonstrates the persistence of homophobia in France. It also questions the way the police and the justice system respond to these attacks. The voice of the film is provided by Eddy de Pretto, a singer committed against homophobia.

Georges Gauthier is an electrician who lives with his mother and his sister Madeleine. He is the son of a womanizing singer who made his mother miserable. For all that, Georges is attracted to show business all the more as he falls in love with Jeanne, the daughter of singer Lormel. Georges is spotted by Cartier, the manager of the Folies Concert and makes his debut as a singer under the assumed name of Jean Papillon.

Back from America, famous singer Charles Trénet, nicknamed "Le Fou Chantant", makes the conquest of a bombshell called Anita. He tries to persuade his young friend Georges to follow them to the French Riviera but the pessimistic gloomy finicky fellow won't do it. Instead, he decides to go on holiday with his newly married wife but the trip , due to his grim mood, is no bed of roses. In Juan-lès-Pins they finally meet Charles, who is so infatuated with Anita that he has forgotten to meet his old friend Henri Poupon, the Meridional actor. Thanks to cheerful Charles and to the sunny climate, Georges relaxes and things improve in his relationships with his wife. The couple can applaud Charles who is giving one of his concerts there before he flies back to the USA, on Anita's arm this time.

Symbolizing the destiny of man, Hora imposes her destiny on everyone. She appears to a petty bourgeois trying to escape from his mediocre life, to a frivolous mother, to a reveler in nightclubs, to a man stranded without money in a restaurant, to a young sportsman, to a singer tired of the selfishness of his listeners and to a condemned man. To each, she brings the imperative message of Time...

Charles's uncle is the headmaster of a chic girls school .He is short of the readies and he has lots and lots of debts.

In the early 1950s, the popular radio show "La Kermesse aux Étoiles", hosted by the famous Jean Nohain, mixing lottery games and performances of various artists, will be disrupted by the adventures of a man and his fiancée seeking to recover a dangerous bottle of perfume (explosive) which was unfortunately mixed with the prizes to be won ...

Portrait of Charles Trenet. Twenty years after his death, this documentary offers a new look at the artist. When, in 1956, the singer appeared on television, he was 43 years old. And it is a man of 60 or even 70 years old that today's audience has known. The first Charles Trenet, the one who transported France when he was 25 or 30 years old, remains largely unknown. Yet it was this kid of genius who, at the age of 25, invented French chanson. But the archives that are scattered throughout this portrait also show that he invented a certain idea of joy. For joy in Trenet was a sport, a daily gymnastics.
This variety show, with its new concept, is presented as a musical comedy. Having formed an orchestra, a group of young people perform in the courtyards of an old Parisian neighborhood, hoping to earn some money. But no one listens to them. All the tenants of the building are glued to their television sets. Only one mysterious man takes an interest in the group and offers them a box of magic matches.

Bariole gives cheap singing lessons, which annoys the official teachers.

Documentary about the Swedish artist and painter Philip von Schantz.

A bungling thief is threatened by one target with blackmail, unless the thief will kill his own cousin, a wealthy eccentric who is considered the village idiot.

During the Christmas season, Christine, a singer and her friends find themselves penniless. She falls asleep and dreams that she goes to heaven, followed by her friends...


