Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their next target is Sean Macdonald a parentless teenager who lives with his sister on a housing estate on the outskirts of Edinburgh. She's in debt, he's going nowhere fast. Sean agrees to play for cash.

A journey through the memories of teenager Paul Varderman as he reflects on the events leading to the fatal moment his life is cut short. Paul moves to a new school and becomes involved with 'The Freaks', a group on the periphery of school life, those who don't fit in: scene kids, emo kids, indie kids. Outsiders. At the same time he attracts the attention of the schools twisted and manipulative bully, Roth. When Paul delivers a message from Roth to the leader of a gang at a rival school, it sparks a dangerous feud. Faced with growing pressures from both groups, Paul must decide where his friendship lies, a decision that may cost him his life.

Shoot the Messenger follows one man's painful journey towards self-discovery. On the way he finds both his own attitudes and the expectations of his community challenged.

Layla, a 15-year-old living in Brixton, London, becomes involved with a gang and must set up a boy to be killed.

Drama based on real-life events. Marie Stubbs, a diminutive Glaswegian headmistress who is coming up to retirement age, takes on one last challenge: to improve the fortunes of St George's School in north west London which was facing closure after the notorious murder of its previous headmaster, Philip Lawrence, in 1995 as he was breaking up a fight between his pupils and those from a rival school.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

In New York, former convict Pete Koslow, related to the Polish mafia, must deal with both Klimek the General, his ruthless boss, and the twisted ambitions of two federal agents, as he tries to survive and protect the lives of his loved ones.

Encouraged by his editor to seek 'sexy stories that sell', a reporter preys upon the private life of an erstwhile friend, with disastrous results.

A disgruntled married man called Tom believes that there is a better life for him out there somewhere. On his way home one night he gets attacked and falls into a parallel world where he lives 6 other lives including a Rock-Star, A homeless person and the 'hoody' that attacked him. These lives help him to re-evaluate his priorities and values but in order to get home he must face some of his deepest fears and desires. Will he make it home or is the grass greener on the other side?

Joshua, lives in an informal settlement with his grandmother and father, a well-educated black man and single parent who was forced to flee his home as a result of Zimbabwean politics. Once a scholarship student with a great future, Joshua dreams of winning a BMX cycling championship as a means to finding a better life than the spaza shop which his father owns, can provide. But, even this dream is shattered when he narrowly survives a vicious xenophobic attack during which his father and grandmother lose their lives.