This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.

The story is based around "spermulites", the alien inhabitants of a dying planet. The only way they can save their planet is by sucking the men of planet earth dry of sperm, kind of like horny vampires.

The story is based around "spermulites", the alien inhabitants of a dying planet. The only way they can save their planet is by sucking the men of planet earth dry of sperm, kind of like horny vampires.

This thoughtful French film tells of the events leading to a young man's attempt at suicide. As Raymond (Richard Bohringer) sits on a ledge of his apartment building, and people try to talk him back inside, he remembers the events of his day and his life before this moment. Things seemed to be going along well enough until something triggered his revulsion at the pettiness and falseness that is the everyday currency of life.

June 1940. The Wechrmacht appropriates the houses in which are living Pierre, his wife Magdeleine, their son Charles, their two servants Louise and Lea, and Mademoiselle, the beautiful jewish governess.

The Wine-making Customs of Vouvray. Two vineyard workers vie for the affections of a beautiful girl.

An examination of the police brutality during the May '68 demonstrations.

A family's life is transformed into an object of art.

This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.

June 1940. The Wechrmacht appropriates the houses in which are living Pierre, his wife Magdeleine, their son Charles, their two servants Louise and Lea, and Mademoiselle, the beautiful jewish governess.