A Mexican is thrown out of a bar by a young prospector and swears to get even. Later, he kidnaps the prospector's wife. In the meantime, a group of drunkards shoot and kill an old Indian; The son, a brave, vows revenge and asks the tribal chief for help. When the Indians attack both prospector and Mexican, these two make a temporary truce and join forces against the common enemy.

The Goddess, the prettiest and best-natured girl that ever graced that little mining town, meets the tenderfoot prospector and leaves him another worshiper of her. His chances, however, are slim for Blue-grass Pete has won her affections, he having at an opportune moment saved her from the fangs of a snake which was about to attack her. Pete's affections turn to the Goddess's sister, while Pete's friends plot to rob.

A feud began with a political argument. Then the justice declared if granddad did not pay up he would attach his household goods. Granddad was that mad all he left of the furniture was kindling. When he learned his act had made him liable to the law he fled with his family, but came back after a lost baby, now in the hands of the enemy.

Bessie, the bookkeeper, and Harry, the confidential clerk, are sweethearts. Harry does not fully realize the strength of Bessie's affection, but later, on the eve of a false step, he is made to appreciate her devotion and grit.

A young woman (Linda Arvidson) is kidnapped by a band of opportunistic Chinese slavers, led by devious Pong Lee (Harry Solter). A resourceful female police operative (Marion Leonard) is determined to rescue her, and tracks the mastermind of the kidnap plot, Hendricks (George Gebhardt). Though successful in her rescue effort, the rescuer ends up being made a prisoner herself. The slavers plan to make her the victim of a pistol shot to be triggered by the hands of a clock. The heroine is rescued by police seconds before the hands of the clock reach the "fatal hour".

Minerva comes home from school filled with the idea that she has a great mission in life. All society needs reformation. She has her maiden aunt come to live with her as chaperon, and Minerva immediately starts in by reconstructing her. The trust company that has charge of her fortune is represented by young Mr. Grant, who looks on with dismay at the operations of Minerva and tries to dissuade her, but without success. She stops him from smoking and he compiles when she isn't looking. She discovers this and quarrels with him. A laborer making some repairs at the house attracts her attention when she finds him drinking a pail of beer with his lunch. She remonstrates with him and questions him about his home life. As a result she visits his mother's home and tries to educate the family, much against their will, lavishing money on them.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

After a judge (Harry Solter) does his job and sentences a man, a gypsy woman (Marion Leonard) erupts in vehement protests and has to be taken forcefully out of the courtroom. Later the gypsy follows the judge to his home and plots a vicious revenge on his wife (Florence Lawrence).

At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.

When a stack of valuable bonds go missing from the Grant household, suspicion falls on little Carmen Grant's playmate Georgie, whose father is a poor ex-convict trying to go straight.