Created with imagery taken from the 19th-Century Japanese woodcuts on display in the Smithsonian Institution’s exhibition “The Japanese Expedition 1852-1866 of Commodore Matthew Perry,” the film records the opening of the country to Western trade from a Japanese perspective. In Charles’ words, the film “shows something of the special and rare situations that existed when these two cultures came together…one very sophisticated, one with a highly developed technology.” The soundtrack juxtaposes the visuals, with music from the album “Banjo Kings,” an early-American fife-and-drum recording from the Smithsonian Institution archives, and traditional Japanese music from tapes provided by the Japanese embassy.

Atlas gives the viewer an overview of the rise and fall of the Roman Empire. Beginning in 500 BC, a time clock at the bottom of the screen marks off the years – eight to a second – as the boundaries on the animated map change, showing both the growth including the conquests of Alexander the Great, as well as the decrease as the power of the Romans declined. The film concludes with the invasion of the Huns and the sack of Rome in 476 AD. Music by David Spears.

The lives of Franklin and Jefferson are used as prisms through which to evoke colonial America. With a dynamic timeline and a wealth of images drawn from architecture, science, and politics, the film brings alive the way American history shaped, and was shaped by, these two men. Benjamin Franklin, standing for the best in colonial wisdom, and Thomas Jefferson, representing the opportunities and ambitions of a new nation, together offer a compelling approach to this richly textured area.

This film was produced to present the Eames proposal to make an American Revolution Bicentennial celebration. The exhibition would compare and contrast the lives of Thomas Jefferson and Benjamin Franklin, providing a cinematic trip for the viewer through the exhibit, using animation, live-action, and still photography. It was later used by the USIA to provide information to the embassies and museums which would be hosting the exhibition.

A short film of the opening of the last museum exhibition prepared by the Eames. The exhibition was called "The World of Franklin and Jefferson" and was to celebrate the bicentennial of the American Revolution.

Documentary short

An interesting look at the world of toy trains, shot from the perspective of the little world itself. Originally created for model train enthusiasts, this short film transcends it's intended audience to delight viewers of all ages and interests!

This film reveals design proposals for the IBM pavilion at the 1964 New York World's Fair. It incorporates photography and animation to present the concepts, architecture, and overall look of the pavilion and to convey an impression of the exhibition's spirit and content.

Based on an existing slide show the Eames Office had made about the exhibition, A Computer Perspective (produced for IBM in 1971). The film is a visual survey of the collection of artifacts, ideas, events and memorabilia displayed in the exhibition to represent important milestones in the development of the electronic computer.

Based on an existing slide show the Eames Office had made about the exhibition, A Computer Perspective (produced for IBM in 1971). The film is a visual survey of the collection of artifacts, ideas, events and memorabilia displayed in the exhibition to represent important milestones in the development of the electronic computer.