A musical tribute to Jonas Mekas on the occasion of his 90th birthday.

Charlemagne Palestine, New York musician in Brussels, and Pip Chodorov, film-maker from New York in Paris, evoke their home town through images filmed in 16 mm, sounds taken over the years, songs, electronic music, as well as a new composition of Charlemagne Palestine: The Pastrami Recordings.

Charlemagne Palestine, holding a cheap black-and-white video camera, rides four of the rides at Coney Island, including the world-famous Cyclone roller coaster and, with his voice, keens his trademark drones while the rides progress, which, combined with the cacophony of sound that emanates from the rides, creates another version of the walls of sound for which he is known.

Through many photographs, he tells the story and allows his story to be told by those photographed. This is where the brilliant documentary reversal takes place.

Strapping a video camera to himself as he drives a motorcycle around an island, Palestine harmonizes with the engine, maniacally repeating the phrase, "Gotta get outta here...gotta get outta here..." His chanting voice merges with the vibrations of the motor, forming an incessant soundtrack that echoes the jarring motion of the camera. Palestine creates a kind of composite instrument in motion as well as an "articulated personal drama". His stated desire for escape is contained by the boundaries of the island. Palestine was a trained cantor, and he often used his moving body and sustained vocalizing to generate a physical and aural intensity in his musical/video performances of this period.

Produced by Palestine at Art/Tapes/22 in Florence, Italy, these works are seminal performance-based exercises. Palestine calls Body Music I "a study in the vocal-physical responses of a species caught in an enclosed square room." He begins this ritualistic piece sitting on the floor, establishing an aural rhythm by banging his knees against its hard surface. As his momentum builds and accelerates, he rises and hurtles himself with intensity against the walls, as if trying to escape from confinement. Body Music II continues this physical intensity, as Palestine wanders through the labyrinthine hallways of a villa, recording with a hand-held camera. Moving faster and chanting into the reverberating space as though trying to escape, he creates a frenetic visual translation of his physical movements and energy.

Subtitled An Escapist Primer, Andros is the journey of a man who is desperately trying to escape from his internal world, his pain and ultimately himself. Shot entirely from a subjective point of view, this confrontational video journey begins with the man watching television in a dark room, as he talks about his lethargy, frustration and anguish. We then follow him out onto the street, through the streets and subways, and finally into the landscape of a fog-shrouded island. He runs, talking to himself and the viewer of his need to get away from the pain and the demons in his mind. Using the camera as an extension of his body and placing the viewer behind it, Palestine's journey becomes emblematic of a primal desire for escape.

Pip Chodorov's "Charlemagne 2: Piltzer" is a tour de force of hand-processed film which documents a Palestine piano concert. Chodorov uses flicker, negative/positive imagery, different printing techniques and colored filters to produce a film that is a true merging of sound and vision. - Frequent Small Meals