
Acting
Chandrabati Devi defied societal norms, pursuing a career in Hindi and Bengali cinema. Born on 19th October 1909, in Muzaffarpur, she moved to Kolkata, where she graduated in Bengali literature and trained in music under the guidance of Dinendranath Tagore. Her entry into the silent film industry was facilitated by her husband, Bimal Pal, with whom she founded 'Movie Pictures', making her debut in the silent film "Piyari" ' (1929), being catapulted to stardom and possibly becoming the first female film producer in Bengal. Despite challenges, she earned acclaim for roles like Meera in Debaki Bose's cult classic "Meerabai" (1933), Chandramukhi in the 1935 cult classic "Devdas", and "Dakshayagna", with her portrayal of Saratchandra Chattopadhyay’s heroines leaving a lasting impact. As her career progressed, she transitioned to character roles, with memorable performances in "Agni Pariksha" and "Ami Sirajer Begum". A talented writer and editor, Chandrabati remained committed to the purity of art throughout her life. She died on 22nd April, 1992.

Love story of Tapasi and Kiriti in the backdrop of social and cultural conflict regarding marriages and progressiveness.

Dakshayagna is a pivotal tale in Hindu mythology. It recounts the grand sacrifice ritual organized by Daksha, where his daughter Sati, wife of Lord Shiva, tragically immolates herself due to her father's insult to her husband. Enraged by this, Shiva destroys the sacrifice, leading to the creation of the Shakti Pithas. This event also sets the stage for the reincarnation of Sati as Parvati, who later marries Shiva. The story is central to understanding the complexities of Hindu deities and their interactions.

Set across a single, fateful night in mystical Iran, this drama weaves together elements of romance, destiny, and suspense as central characters navigate emotional turmoil that will determine their fate.

Anu and Binay love each other and wish to get married but face opposition from her greedy uncle. They decide to elope but are caught and separated due to unforeseen circumstances.

One of the early films of Chhabi Biswas featuring him as a leading man, before he came to be associated with the dominating patriarch roles that have become iconic in Bengali cinema, the film is a tale of the love, relationships and ideals of two generations. Nutubihari is an idealist who has given up his love for Kalyani for the sake of his beliefs. He marries Bimala and becomes a lawyer, fighting for the rights of the poor against the feudal lords. Meanwhile, Kalyani comes to ask refuge after she becomes a widow and is inexplicably accepted by Bimala with a lot of warmth. As the years pass Kalyani's daughter Mamata and Nutu's oldest son Arun fall in love and wish to get married. However, the new-found fame and fortune turns his head and Nutu begins to resemble all the ideals and vices that he had always despised. On the other hand in an ironical turn of events, Arun comes to occupy the position once held by his father, highlighting the generational conflict of ideals.

Indrani Mukherjee the only daughter of a staunch brahmin in a village studies at Kolkata and stays in a girls' hostel. She meets Sudarshan Dutta, who had a brilliant career as a student and is doing his PhD. They fall in love, and Indrani wants to get married with him as soon as possible. She goes back to her village and informs her father of her intention to get married, Indrani's father takes umbrage as Sudarshan is not a Brahmin and also unemployed. Sudarshan too warns Indrani that he won't be able to provide for her. Indrani marries Sudarshan and is tormented at Sudarshan's house by his mother and sisters in law because of several emotional strains at play. To avoid further complications at home, Indrani gets a job as a teacher in Dinajpur. One day, after a heated exchange between two people that started their journey fiercely loving and trusting one another, Sudarshan leaves Indrani and goes in search of a job elsewhere.

Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.

Indra catches a thief Kaanta in the night and tricks him into believing he's a famous thief himself who has made away with large sums of money in high-profile heists and thefts. Later, Indra enters a bet with his friends who bait him into pulling off a theft and he seeks Kaanta's help.

While on their way to Hinglaj, Maharaj and his companions meet Kunti, who was raped by dacoits, and Thirumal, whom she left her family for. Together, they set out to seek the blessings of God.

A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.
