Chan Kin-Long | WatchedThis
Chan Kin-Long
Acting
Biography
Kelvin Chan Kin-Long (陳健朗) is a Hong Kong actor and director.
Filmography Movies
Acting
One Bullet
A man kills his friend with the only bullet of his gun after they have been trapped on a hillside under a cliff without food and water for 11 days.
The Silent Farewell
Matt, a mute bounty hunter, arrives at a jazz bar where he meets the bar owner who not only knows everything about him, but also his arrest warrant with a very high bounty. Matt originally is after his target and his family but fate drags him into the infighting of the corrupted governors. He and the orphan of his target face tedious situations and finally continue their journey in the wild wide west.
The First Girl I Loved
On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.
Room 12
Room 12 is a place where people leave their final wills. A boy arrives at Room 12 and meets the owner of the place. They have a strange encounter and each of them understand more about what the other is thinking about.
I Can't Live Without A Dream
Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...
Say I Do to Me
“I want to marry myself!” To plan for a solo wedding, to marry myself, to declare my forever love for myself to the world! Attractive comedienne Ping vows to become a viral Youtuber. She concocts a plan to put on a show of marrying herself in what was meant to secure both money and likes! However, the scam ultimately ended up in the discovery of her true self in this coming-of-age fairy tale comedy. To love others, I must love myself. Simple enough, right? But who am I? In a pageant of love, four contest as lovers, each one goodhearted in their own right. Does Ping want all four or none at all? By marrying herself, can she figure out who she really is? And who she really loves? Ping will tell it all on the day of the solo wedding… In this satire of marriage and the individual self, nothing is left untouched: women, men, organised religion, homosexuality, the filthy rich, not to mention ye good old mother! Love yourself in Say I do to me, won’t you?
It's Complicated
Love, is always a complicated theme. He thought he had forgotten her, yet he didn't. Finally, he and she meet again, however, it's too late. She is engaged. And he has become her wedding photographer. She thought she had let him go,yet she didn't. He is still in her heart. Will love go on, or way back? It's complicated.
The Brink
Reckless police inspector Sai Gau (Zhang Jin) is on a mission to crack down on criminal Shing's (Shawn Yue) gold smuggling scheme, yet fails to arrest him. As Sai Gau continues his manhunt, he discovers Shing's involvement with triad boss Blackie (Yasuaki Kurata), who hides on a casino cruise ship on the high seas. Shing has been involved in a power struggle within the smuggling ring, and is forced to kill his adopted father. He also loses his share of gold smuggling to Blackie. To get even, Shing appears on the cruise, while Sai Gau is there to hunt for him.
No. 1 Chung Ying Street
Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.
The Midnight After
On a night just like any other, a minibus full of passengers drives through a tunnel and arrives in another dimension; the eclectic group of passengers seek refuge in a deserted cafe and make a horrific discovery.
Production
I Can't Live Without A Dream
Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...
Hand Rolled Cigarette
A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other's company.
Hand Rolled Cigarette
A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other's company.
I Can't Live Without A Dream
Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...
Speak Low
Joyce and Lily have a different class background but stealing unites their friendship. Joyce is the poor one who cannot afford a smart phone whereas Lily is the posh one who turns into a kleptomaniac due to a detached relationship with her family. When Lily spots Joyce stealing a phone from their classmates, Lily helps her out. They even join hands to be partners in crime. Lily teaches Joyce the art of stealing while Joyce appreciates her company. However, too many successes make them go further and further. While starting from shoplifting, they decide to pickpocket on streets. Will their ambition beat them down and have them arrested? Throughout Speaking Low, Joyce and Lily’s friendship also entails an ambiguity of their sexuality.
I Can't Live Without A Dream
Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...
You And Me
What could possibly turn a shy, quiet nerd into a voyeur? A long, lazy summer coupled with endless boredom? Sometimes through his binoculars and other times loitering on campus, a secondary student seeks to get an early taste of what university life has in store for him, dropping in on lectures, stalking the object of his gaze and lurking within her personal spaces. Feeding on a voyeuristic and borderline intrusive look into the lives of others, the voyeur remains at distance an idle walker and casual observer of a time and place charged with passion of a political (and sexual) nature, until his path crosses with hers and the two finally converge…
Gallery
