Yamakasi - Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.

A multicultural band of acrobatic do-gooders take on gangsters of three great nations in this action-packed sequel to the French box-office smash Yamakasi. The Yamakasi are a team of crime fighters who can scale buildings and urban towers with the ease of a fly walking up the wall; after leaving their home base in Paris to set up operations in England, the men decide to set up a satellite facility

Vietnam 1791. Old Truong, the Emperor’s Master of Arms, feels the end of his life coming. But he has yet to find a successor. The country has to be prepared for war and the Emperor is furiously impatient. He gives Master Truong two weeks to find the one. Truong sets off to visit Master Wing, a famous former General who is now living as a simple fisherman on the shores of a lake. He has three children. Truong wants to test the two sons as his potential successors and asks to see a demonstration of their fighting skill.

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

For the Yamakasi the "Art of Displacement" is a way of life. Racing through the new cities that ring Paris, climbing walls, swinging from balconies and leaping across rooftops, they transform the oppressive concrete architecture into places of fantasy, possibility and play. The heart of our documentary is the story of how the Yamakasi are transforming the youth of the suburbs, and themselves, through discipline, will and desire. Now, as the Art of Displacement is being embraced as an extreme sport and urban pastime, will the social message be transmitted as well? What is it for the new generation?

French-Vietnamese actress Yvonne Nguyen dreams of a successful career in musicals, to the great displeasure of her mother, who would like her to pursue a more serious path. When Yvonne has no choice but to move back home, both women are strangers to each other. But, in the intimacy of the Vietnamese family restaurant's kitchen, they grow closer. Meanwhile, Yvonne is still after her dreams and finally gets the chance to audition for a big show.