Cristina, a mid 30s secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her. She is also a character in a novel that a theatre director is turning into a feature. As the actors start setting into the story, their individual backgrounds, social circumstances and personal motivations begin to overlap with the fiction they were offered, making it their own, questioning it and shaping it. The result is what it’s supposed to be: a playful mesh of perceived reality and fabrication.

36-year-old Stela has higher education but unable to keep a job. Since she was 12, she's been in love with a Serbian musician from the former Yugoslavia. One of the musician's alleged mistresses promises Stela that she will help her meet her idol.

A young Romanian gendarme, Cristi, tries to find the balance between two apparently opposing parts of his identity: that of a man working in a macho hierarchical environment and that of a closeted gay person who tries to keep his personal life a secret. Cristi is called in for an intervention at a movie theatre, where an ultra-nationalist, homophobic group has interrupted the screening of a queer film. After one of the protesters threatens to out him, Cristi spirals out of control.