São Paulo: Three Visual Essays redeems key characters of the city, with photographs taken in 1862, such as the ones by Militão Augusto de Azevedo, then onwards through the 20th century, with shots by Alice Brill, and finally through the 21st century, with pictures by Mauro Restiffe, among others. The visual communication of the city is presented since the painted walls of the 19th century to its neon lights and billboards by the 20th and 21st centuries. It also accompanies the grand transformations the city has gone through. Within the course of a hundred years, São Paulo, which started out as a village, transformed into one of the world's greatest metropolis.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

A marginal version of Brecht’s piece, “Baal”.