23yo Bae, a pianist and hiphop artist, struggles with the loss of his hearing while trapped in a period piece anno 1743. Through an odd, feverish and dream-like shakespearian encounter with Ferdinand (his 'manager') and Amélie - a peer who apparently plays music closer to her heart - he learns how to get rid of the darkness in his inner zone. He slowly finds his way back to his present day self and learns to come to terms with his handicap. This is a freely interpreted short music film built around 3 music videos ('Freneny', 'Amélie' and 'Zo Zijn') based on the true events and memories of Dutch musician sor (Rosario Mussendijk) who became deaf instantly one day due to a rare condition.

When Sef wants to fight against a flag he does not stand behind, it takes more than he thought. Will we ever really get rid of such ghosts or dominant structures, or will we have to learn to live with them?

When Sef wants to fight against a flag he does not stand behind, it takes more than he thought. Will we ever really get rid of such ghosts or dominant structures, or will we have to learn to live with them?

The depressed Cayden is being haunted by a sinister entity. This entity is troubling him in his daily routine: during his economy lectures, walking on the street and, most importantly, at home. Cayden wants to escape this traumatic cycle, and eventually falls for his overly optimistic friend Danny, who offers him the possibility to join a mysterious motorcycle gang under the leadership of the enigmatic Jansen.

On a drive back home in a dirty car, three young women talk about other people. Their conversation flows naturally, and takes them into uncharted territory.

A foreign musician unexpectedly arrives in a picturesque Dutch village. The hotel owner offers this tourist a suite, coincidentally for the same amount as what he owes the baker. When the hotelier receives the amount in cash, he can finally settle his debt. Next, it turns out the baker also has an outstanding balance, etcetera. In this absurd comedy about the circular economy, it is clear that constantly making and settling debts brings unanticipated consequences.

In a world where sex has become powerful leverage, Tessa takes on a job as high-class escort and calls herself Aimée. The secret life that comes with the job and the denial of her true feelings detaches her from herself and the people who love her most.

During the riots in Paris in 2005, new police recruits from the impoverished suburbs wonder which camp they actually belong to: those of the French law enforcers or of their opposers.