The documentary Rádio Nacional performs a precious sewing, with more than 40 testimonies, and with it weaves the rich plot of the greatest mass communication vehicle of all times, until it abruptly suffered the 1964 coup.

A street vendor and a servant theater, newly unemployed, accidentally swap their briefcases trinkets for one of three bandits who just rob a bank. The chase, which also involves two "rapas" only ends when, aided by a chorus girl, unwittingly participating in a musical number of the show's theater company.

The film discusses decisive moments in the life and career of Cauby Peixoto. In addition to interviews and recordings of the singer's concerts, the film uses testimonials from fans and artists such as Maria Bethânia, Emílio Santiago, Agnaldo Timóteo and Agnaldo Rayol, in addition to researchers Ricardo Cravo Albin and Rodrigo Faour.

A woman impressed by news reports about flying saucers, gets hit on the head by a vase, passes out and dreams that she is the 'Queen of Mars', from where she sends an expedition to Earth in order to bring back Rio's Carnaval to the planet.

Jamboree adheres to the usual formula of late-1950s rock & roll films: A plethora of musical numbers linked together by the wispiest of plotlines. Kay Medford heads the cast as manipulative showbiz agent Grace Shaw. Hoping to land pop singer Pete Porter, Grace connives to break up Pete's romance with female vocalist Honey Wynn. But who cares? The audience came to see such musical faves as Fats Domino, Count Basie, Jerry Lee Lewis, Jodie Sands, Ron Coby, Slim Whitman, Carl Perkins, Frankie Avalon, Charlie Gracie and the Four Coins. As a promotional tie-in, Jamboree also features appearances by 21 of North America's top rock-and-roll deejays.

A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.

A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.

Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.