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Using interviews with the cast & crew and rarely seen home video footage, IT RUNS IN THE FAMILY covers the genesis, making-of, and enduring appeal of Tobe Hooper's THE TEXAS CHAINSAW MASSACRE 2.
Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Masterson, who asserts that the apartment is hers -- and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.
The Baker family, while on vacation, find themselves in competition with a rival family of eight children.
In the summer of 1863, General Robert E. Lee leads the Confederate Army of Northern Virginia into Gettysburg, Pennsylvania with the goal of marching through to Washington, D.C. The Union Army of the Potomac, under the command of General George G. Meade, forms a defensive position to confront the rebel forces in what will prove to be the decisive battle of the American Civil War.
A boy and his dog, White Fang, must try to save the noble Haida tribe from evil white men in turn-of-the-century Alaska.
Mad with grief after the death of his Kiowa wife, Roe awaits death under a tree with her body beside him. She begins to haunt him because he won't bury her. His father, who bought him the wife, thinks her sister might reason with Roe.
Reverend Julian Shay (Willie Nelson) strode into the saloon, pulled out his six-shooter, and killed his adulterous wife (Morgan Fairchild) and the man she had left him for. It was the beginning of his violent transformation from God-Loving preacher to ruthless outlaw.
16-year-old girl is in denial about her mother's drinking problem and refuses to join Ala-Teen.
The story of the 1985 Senatorial hearings to place "Warning: Parental Advisory" labels on music albums with 'obscene' lyrics and themes - and the rockers who tried to fight it.
Streetwise teenager is sent to live in the suburbs with her father new family.
In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.