Directing
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Caroline Leaf’s films are renowned for their emotional content and graphic style, which evolves from the innovative hand-crafted animation techniques she invented: beach sand and painting on glass and scratching in the emulsion of film stock. The medium is always at the service of a dark and brooding storytelling touched by flashes of humour. This box set celebrating the talents of a master animator comprises all her classics: The Owl Who Married a Goose, The Street, The Metamorphosis of Mr. Samsa and Two Sisters, as well as Interview, made with Veronika Soul. The DVD includes a student film, an animated video done for MTV, a comprehensive biofilmography and a brand-new director’s commentary on Two Sisters.
In 1994, Caroline Leaf accepted the Sir Allen Sewell Fellowship to give a series of studio workshops and lectures to animation students at the Queensland College of Art, Griffith University in Brisbane. In this film she talks about her work and demonstrates such techniques as sand animation, paint and cut-out animation and scratch animation.
A freewheeling cinematic experience, this film is the work of two filmmakers who relate their perceptions of each other through their respective animation techniques. Images and words are paired in startling associations. Each does a visual portrait of the other, based on characteristic gestures and impressions. A combination of techniques and materials produces a film of rich visual texture shaped by the hands and heads of two very different people.
A short documentary about singers Kate and Anna McGarrigle made by animator Caroline Leaf.
Features clips from 21 documentary and animation film classics, interviews with NFB filmmakers past and present, and incisive commentary from film critics and historians on the role and influence of the NFB during its first half century of existence.
This film deals with a Jewish family in Montreal, Canada as they care for a dying grandmother and the young boy who is impatient to get the room he was promised as soon as she kicks the bucket.
A facially disfigured author's life with her guardian of a sister is disrupted when a stranger arrives at their door, claiming to be a fan.
This animated film about blind prejudice is based on a short story by Canadian author Wilma Riley. Mrs. Cherwak is Polish and owns a cow. Mrs. Meuser is a German with entrenched notions of cleanliness. She does not appreciate the cow's inevitable by-product. The film describes their conflict and its curious resolution over coffee and mincemeat pie. While the author chose to write about the Germans and the Poles she grew up with on the outskirts of Regina, the situation she describes could apply anywhere in the world.
An animated adaptation of Franz Kafka’s acclaimed novella, “The Metamorphosis,” made from carving images into sand with glass.
In this short animation based on an Inuit legend, a goose captures the fancy of an owl, a weakness for which he will pay dearly. The sound effects and voices are Inuktitut, but the animation leaves no doubt as to the unfolding action. A story with the wry humor characteristic of many Inuit tales.