Four separate-but-interconnected stories - one for each season - about life in Sardinia.

Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.

Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

Antoine, a handsome boy in his 20s, falls for a straight best friend who does not reciprocate, and being a junkie exits the film quite early. Enter a girl, who seems to make him happy again, after he has tried living as a rent boy with men, having some familial, financial difficulties. But the girl is a junkie too.

What is beautiful about adolescence is that it is a time when everything is still possible. The four main characters are each conditioned by their background and environment, but they refuse to accept any predestination and to fight it. Expelled from schools, spurned by lovers, confined by identity these youngsters just keep on running, frustrated and in flames. Lonely hearts, intoxicated by music and alcohol, by the heat of minds and bodies, burn to ashes.

In Paris, where he wields his money scams, Alex has an unexpected encounter with two girls: Fred, who’s nothing to do with his world and who he falls for straight away, and Sylvia – sweet, but lonely, Sylvia. To test Alex, Fred devises a curious game of seduction. Like a character out of a Marivaux play, she toys with setting up delightful obstacles necessary to Love’s flourishing: Sylvia must seduce Alex, and Alex, must in turn, truly desire Sylvia. But Fred gets caught in her own trap. She falls head over heels in love with Alex. However, he no longer knows who to choose, all the more so now that Sylvia is falling in love with him, too. During an eventful night of confusion and intrigue, crazy laughter and tears, our threesome come to realize that what really draws them together is an emotional bond: true love.

Zurich, 1905. Nineteen-year-old Russian Sabina Spielrein is put by her parents in a psychiatric hospital, suffering from a severe form of hysteria and refusing to eat. A compassionate doctor, Carl Gustav Jung, takes her under his care and, for the first time, experiments with the psychoanalytical method of his teacher Sigmund Freud. Thus is born a sweeping story of love and passion, of body and soul, soaring to the utmost heights, but also plunging to the darkest depths of the 20th century.

A banker has died. He trafficked in nuclear material, so French intelligence assign two agents to find his list of contacts, which are on a flash drive: Muriel - the boss, acerbic, willing to sleep with any man, wondering if she should have a child - and Philippe, younger, boyish, meticulous, bothered by Muriel's frank sexual interest. They watch Constance, the banker's widow: a naïve, friendly, open, trusting. She's taking opera lessons, so the French spies join the class, which Muriel enjoys. It seems that other spies are after the same USB, and some of them sing as well. Singing, spying, and sex lead to duets of all kinds as well as to an eventual showdown.

Shimkent hôtel tells the story of a young man who's experienced the failure of a business venture in the Afghan mountains, and who suffers from shock in Kazakhstan.

In 14th-century France, Aliénor breaks with the codes governing girls’ behavior and does as she wishes. The King of France grants her the hand of her childhood love, but her new husband deserts her immediately after the ceremony. Undeterred, she sets out after him, traveling to Siena to bring him back.