Love knows no age, nor does paternity know sexual orientation. Alfonso falls in love with Carmen, just as he did with Roberto, his father. Myriam, his mother, has a relationship with Manu, much younger than her, even younger than her own son. Miguel is Carlos' son, he did not know his mother, he has a sentimental relationship with Julio and both want to be parents with a couple of lesbian friends.

Nico wants to become independent with his neighborhood colleague, Raca, but she doesn't want ties. Fed up with his parents, Nico leaves home and rents a room on the outskirts. Despite the distance, he begins to hang out with Leo, Raca's little brother, a boy who is getting hormones, because he wants to transition into a woman. Nico is torn between the love of his brother or his sister. Meanwhile, their respective families fall apart, because in one there is no love nor in the other fidelity.

Roberto is a retired man who lives alone and rents a room in his house to a young student, Carmen, who soon begins to fascinate him; he spreads the joy of his new life to Carlos, an even older friend than him, who also decides to rent a room to another young girl, Sonia, who aspires to be a soccer player despite her dissolute life.

Carmela is almost sixteen. She has just lost her mother and is suddenly sent to a boarding high school in Montpellier, the city of her paternal grandparents, after having spent her entire life in Spain. When the holidays arrive, she travels to Seville to see Luis again—an elderly Romani cantaor, her mother’s former partner and her lifelong accomplice. These reunions, the screening of a film they were never able to finish eight years earlier, and the upheavals of a minority which, in the age of technology, longs to integrate, abruptly sacrificing all the specific traits that had tirelessly shaped it until then, will entail—beyond the mourning of childhood—the realization of a paradise forever lost.