In Rio Grande do Sul, the newcomer intern Paula sees the schizophrenic Dante Becker and she decides to study his case for her graduation work in the university. She learns that Dante was left in the institution ten years ago and has been abandoned by his family, friends and even the doctors and his files are lost. Her supervisor retrieves the name of Dante's father Gregório and the women Renê Heller and Berenice that had visited him in the past and she interviews them to discover what happened with Dante.

After her boyfriend's death, a successful executive finds some unfinished scripts in the dead man's computer, and decides to make a film of them. Her relationship with the world of movie-making is going to change her life.

Julius is a photographer working as a men's magazine photo retoucher. His wife, Marcia, is a criminal lawyer who defends Teodoro, a squatter accused of murder. For years they had a quiet wedlock. However, Marcia gets involved with her client, and as revenge, Julius sleeps with Ana Maria, a friend of their daughter Guida. From this episode on, their lives are no longer the same.

December 11, 1983: this date sticks in the memory of the Grêmio supporters. With a spectacular performance by Renato Portaluppi, and a team that had as much strength as talent, Grêmio defeated the mighty Hamburger SV, the Champion's League winner, and was crowned world champion. In 1983 - O ANO AZUL, the responsibles of this achievement count each step of the long road to the title, which began with the conquest of the Copa Libertadores da América.

Sissi, the young daughter of an unemployed widower, struggles to support her family, while dreams of sharing an apartment with her boyfriend, a soccer player. Martina, who has a more stable financial situation, struggles to be desired again by her adman husband, or by whoever is around. Giane has already changed her life, and can influence Sissi's future. According to Professor Valadares, these three women are only trying to satiate their most basic appetites: Food, Sex, and Fasma.

Two straight (but not really) guys invite two naive (but not really) prostitutes for a night of sex. In the preliminary conversations, a little poetry, a lot of philosophy and heavy doses of vulgarity, all with Beethoven in the background. But when it comes to sex, the truth comes out.

Two straight (but not really) guys invite two naive (but not really) prostitutes for a night of sex. In the preliminary conversations, a little poetry, a lot of philosophy and heavy doses of vulgarity, all with Beethoven in the background. But when it comes to sex, the truth comes out.

A fifteen-year-old girl is beaten by her father and seeks shelter at a friend's house. Between tears and sobs, she watches her friend's father. He feels sorry for a child, but she is a woman. Tonight, they will have to discover the difference between passion and compassion.

A fifteen-year-old girl is beaten by her father and seeks shelter at a friend's house. Between tears and sobs, she watches her friend's father. He feels sorry for a child, but she is a woman. Tonight, they will have to discover the difference between passion and compassion.

The story revolves around Rosa, a woman who has just had a daughter and is homeless in the city of Porto Alegre. On a stormy night, she seeks shelter in the garden of a temporarily unoccupied house. However, that same night, the owners of the house, João and Sandra, return to their home. Sensitized by the difficult situation of Rosa and her baby and dominated by her maternal instinct (not yet realized), Sandra allows the “invaders” to remain in the garden. Shortly afterwards, she ends up welcoming mother and daughter into the house. In the following days, conflicts erupt due to the social abyss that separates the characters, heightened by a painful memory of Rosa and João’s childhoods.