A young newlywed woman begins to have disturbing nightmares just after settling into the old mansion that has belonged to her husband's family for centuries. When her sinister dreams come true, the innocent bride is caught in a maddening maze of unspeakable horrors.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

While waiting to get started on the production of his feature Liberxina 90 (1970), Carlos Duran shot this short (with very expressive support by several Escuela de Barcelona professors): a grimly colourful satire on modern society as such, and on its fascist Spanish variety in particular. "The intrusion into the private life of a human being, of the distinct tendencies that exist in the society we live in, until they fall into chaos." Carlos Durán

Film by Carlos Durán, produced by Jaime Camino.

Along with narrating the adventures and misadventures of its protagonists, the film presents a fresco of Spain in the 60s, with its rock music, fashion, and a visual style clearly indebted to the French New Wave.

A girl who lives with her dealer cousin and her policeman boyfriend who is a policeman regularly transports drugs from Morocco for her cousin. As all of them smoke grass from time to time there is need for more. Deciding to take a friend of hers who has just left home down to Morocco for a transport she gets problems because it is the first time for her friend and this makes it difficult. But as all are very open-minded there is no problem they would not try to solve.

The plot follows a private detective, an ex communist and former CIA agent, who travels from Barcelona to Madrid to discover the identity of the assassin of the leader of the Spanish Communist party who was stabbed during a blackout while presiding over a meeting of the party's central committee. The film is a thriller with ironic political overtones.

The film plunges into the intrigue of a love triangle in which is involved a former actress who has a relationship with her husband, a film producer, her lover, the screenwriter of the films he produces and a criminal lawyer.