Five domestic stories, five characters, and their families. Small stories that magnify their small ambitions, pettiness, hope, and discouragement, which for each of them are moving, definitive and tragic.

The story of a friendship between two girls of different races, Susana and Rita, in Equatorial Guinea, from 1950 to 1961. Susana discovers with her friend a fascinating but troubled new world in Africa, where she comes of age and experiences love and sex.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

In the corridors of a Caracas hospital, two very dissimilar beings meet by chance one night. Coming from very different worlds, anxiety is the only thing they have in common. One of them is Antonieta Sanchez, a single mother who has made ends meet for herself and her son, Odulio, by washing clothes and ironing. She knows she has lost her son a long time ago: Odulio is a young criminal. The night he was shot, Antonieta's life changed forever. The other is Benigno Robles, an assistant district attorney who, as a young law student, devoted his career with hope and deeply rooted ideals of justice. When Elisa, his only daughter, is hit by a stray bullet, Benigno will never be the same. But this encounter between Antonieta and Benigno, seemingly coincidental, is not: there is a secret that will eventually come to light

In the early 1800s, Prussian geographer Alexander Von Humboldt and French botanist Aimé Bonpland launch an expedition to explore the Amazon region, including the Orinoco River, from Venezuela to the border of Portuguese Brazil.

Anthology film of classics police stories written and directed by Marcos Moreno

It is 1995. The procession goes through the streets of a once prosperous town. Pueblo Rico celebrates the day of its patron saint, “Santa Rica.” The collective celebration serves as camouflage not only for a couple in love to sneak away to make love furtively, but also for the mayor to secretly introduce a load of toxic waste. The couple and the waste end up in the same hiding place: an old abandoned theater. This is how Ana and her boyfriend Froilán find out about the misdeeds of the mayor and his lover. In the midst of this situation, Froilán begins to irrigate his genitals with oil. The town believes that it is a miracle, turning Froilán into “The Irrigator,” a messenger of Santa Rica.

In César Miguel Rondón's adaptation, a different origin story is presented. The fisherman Ismael (Félix Loreto) is unfaithful to his wife Cayita (Ana Karina) with a witch, Carmelina (Ileana Aloma). She swears revenge when she sees Ismael return to Cayita's arms and casts a curse that will cause the fisherman's death, setting his house on fire. Faced with the tragic event, Cayita, frightened, screams and begs the townspeople for help to save her son, who was inside the house when the fire started. Cayita's son dies alongside Ismael. It is then that she, crazed with grief, cries out for her son for eternity.

In the dark streets of a city plunged into chaos, Ángel, a young man tormented by a violent past, seeks refuge in Marian's pure love, leading a strangely normal life. However, this reality is shaken when a series of disappearances of young students begins to spread terror through the community. The nightmare intensifies when Ángel and Marian are dragged into a party organized by a sinister cult.

The last day of a person in the world