Cynical filmmakers plan on producing a bleak, independent film dealing with poverty and prostitution in the hopes of scoring free travel to international film festivals.

In a community by the railroad, an old healer named Tatang performs a “miracle” when a young male lover is run over by a train. It is said that Tatang can heal with poetry and his Muse. Another cataclysmic event will make the community discover the next healer by the railroad.

A countryside dramedy (drama-comedy) that follows 14-year-old Diana and her younger brother who live by themselves after their mother went abroad and their father lived with another woman. Set in a remote purok, where people display positive outlook in life despite daily struggles, the film features the light side of country lifestyle as the main characters take advantage of the fun and thrills of the town festival to take hold of their sweet childhood.

A story about the heroism, redemption, and sacrifice of both sides of the Mindanao conflict.

100 years after the defeat of the local troops under Gen. Miguel Malvar in the Philippine-American War, the people of a Batangueño town would have lost its character typified by the Tagalog term "barako", meaning brave or courageous. Much worse, they have become subservient to their corrupt leaders who have been taking advantage of their ignorance and poverty. But they are slowly swayed to a new liberal direction by a small coffee club called "barakuhan" whose organizers see in it a reawakening of their native courage.

A woman consumed by a hoarding obsession roams the streets, collecting objects she believes will be useful when her son, missing for three years, finally returns home.

A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando. In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.