Riccardo, a southern man of solid principles and good feelings, decides to go and visit his daughter Aurora, who has been living in Barcelona for some time. There, however, a surprise awaits him: Aurora has married a woman. Indignant, Riccardo hastily returns to Italy, determined never to see her again. But perhaps destiny has decided otherwise.

An esteemed piano tuner and repairer, Jacobo leads an apparently happy life with his wife, Helena. His serene existence is thrown into a state of confusion when insomnia creeps in, and pianos that previously repaired miraculously overnight remain unfixed. Jacobo plunges into paranoia and madness, hearing noises during the night and having ephemeral visions of a stranger roaming the house in a dressing gown. Helena reassuringly denies anything out of the ordinary, and suspiciously insists he is hallucinating. Is the life we think safe and secure true, or is there a second reality lurking? THE MOST IMPORTANT THING IN LIFE IS NOT BEING DEAD is a tale of betrayal and forgiveness in a rich musical universe, set against the Franco era, a period of political deceit and distorted reality in Spain. Playfully, the tragicomedy questions our perception of reality and the vulnerability of our human condition.

Marleni hates her job as a live-in home help at Mr Ramón’s home. Her life changes when she receives a message from an unknown number and she decides to create a fake identity, looking for a way to escape.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

The thirteen survivors of a catastrophe by a tunnel's collapse tries to balance their experience trapped along 15 days inside it with their day-by-day outside it.

Veteran actor Pablo Thevenet has no luck: His daughter has been murdered, his wife has left him, he finds no job and his agent wants to leave him - current directors will never give him a role. He hates current talentless stars on TV talk shows. Suddenly, he finds some job - as a living sculpture in a whore house working for a Mr. Reficul and his transsexual assistant Dora Grizzel. Pablo becomes an artistic murderer, searching for those he thinks responsible of his current state. He also meets job partner Tic-Tac, an ex-prostitute who will sympathize with Pablo. Pablo also attracts the attention of unusual producer Ambrose Fuch, who wants him to act and direct movies. Everybody seems to have something to hide - including serial killer Pablo.