The death of patriarch Alfredo sends his heirs into a downward spiral. With the pending sale of their beach house, a repository of childhood memories, three siblings’ long-simmering resentments are brought to a full boil.

Hilda must be responsible of a decision that she took long time ago. Her life is altered by the news that her son is coming to visit her after several years away. She tries to replenish her weathered image by the passage of time. This will stir her reality and her link with the past.

Set in the extinct world of artisan mining in North Chile, this neo western centers the struggles and empowerment of a young woman, fighting to keep the family business against patriarchal structures and the law of the jungle.

I have to get that world back, to change this one," says Laura. Then she searches among the memories, letters, friends, piano, mountain, snow where she was born, the house where her adoptive grandmother lived (and died): Yenia Dumnova. It is a retrospective search, a historical and affective reconstruction made of fragments, memory, documents, fiction. As she unravels Yenia’s secret story, Laura will recover her own: her relationship with exile, time, family, art, adulthood and death. In this emotional journey, sometimes fictionalized, sometimes narrated by Laura Paredes, the author meets the stories of those who met Yania and remember her with the same wonder and affection as when they frequented her in that convulsive twentieth century.