George spends quality time with his friends Karen and Carla in this unconventional, glitchy, collaged holiday video. HOLIDAZE filters a gift exchange through a lightly ironic, kitschy palette: whizzing geometric irises, stock footage of angelic-looking kids opening presents, and MIDI versions of Christmas songs. Kuchar’s magic was his ability to see the cinematic potential in everything around him—here, he finds endearing humor in three friends trying to work a landline phone. It became a tradition for Kuchar to break out the camera during his friends’ holiday festivities, but HOLIDAZE is unique for its visual verve, with lo-fi effects reminiscent of an arcade game.

Made when I was a bit depressed which is nothing new,. Bob Cowan happened to be depressed as well and so we had a wonderful time working together. One of the actresses was separated from her husband at this time and the movie solidifies into concrete the repressed desires of everyone.

Writes Kuchar, "The magnificent Mono Lake becomes the centerpiece for this car trip through Yosemite National Park and the splendors of roadside pastry. Majestic mineral deposits rise from the salt laden waters as the bloated and bulimic revel in nature's nutrients."

A dramatized social commentary with the horrifying impact of a three-hundred ton chunk of margarine.

A reading of seven dreams interleaved with filmed audience reactions and "Fire" by the Pointer Sisters, "A Message to Rudy" by The Specials,"Take It To the Limit" by the Eagles and more. The dreams deals with the past, present aswell as the future.

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

On March 24, 1979, The Kitchen presented a two-part program dedicated to the work of various Fluxus artists. The programming began with the premiere of Alison Knowles’s “Natural Assemblages and the True Crow.” For the piece, Knowles engaged in a dialogue with her own taped voice, which read aloud selections from various natural history books. Simultaneously, violinist Michael Goldstein provided an improvised score while dancer Jessie Higgins executed a number of one-movement phrases by following instructions on index cards. The second part of the night’s programming consisted of forty rapid performances—most sixty seconds or less—by various Fluxus members, including Yoko Ono, George Brecht, La Monte Young, and Nam June Paik. Ken Friedman and Larry Miller coordinated this portion of the event.