Aaron and Giselle are an ambitious couple, but their hard work isn’t enough to provide for the comfortable life they desire. The marriage of their well-to-do bosom buddies, Bullet and Jasmine, also goes from bliss to bleak. Their situation heads further south when Bullet ends up in bed with a distraught and inebriated Giselle! Many confrontations later, Jasmine is seen sharing late-night trysts with Aaron while their repentant spouses patiently wait for them at home! With friends like these, who needs enemies?

Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.

After a brief and wrongful incarceration, a law office messenger helps defend his former cellmates in court as a paralegal.

Fifteen years ago, Violy Langit (Eugene Domingo), an owner of a small funeral parlor, learns that she is suffering from a medical condition that requires her to undergo a hysterectomy. All her life, she’s wanted to have children, and she realizes that she has to do it before the procedure. But Violy has no man in her life – no husband, no boyfriend, no suitors. She seeks the help of her gay best friend, Mandy (John Lapus). Out of pity and love for Violy, Mandy offers his boyfriend, Carlo (Diether Ocampo) to serve as a sperm donor.

A young woman's supernatural ability to see ghosts is reawakened following the death of her mother. As she adjusts to her new, deathly surroundings, she and her loved ones become the target of some ill-meaning individuals.

Being a tutor to the children of a local funeral parlor is hard work for Diane, though she needs to work hard for a living. Unknown to her, the children she tutors are the children of funerary owners who turn out to be cadaver-eating, shapeshifting cannibals starving for the innards of myriads of corpses.

A pair of broken-hearted people meet and begin a relationship, but their painful pasts hang over their romance.

In a world full of strangers and friends, there’s a story for everyone. Everyone has a secret. Everyone desires somebody. Everyone needs somebody. Everyone just needs… Somebody To Love…

In Shake, Rattle & Roll XV: Ulam, Carla Abellana and Dennis Trillo are haunted by a supernatural creature in the house where they are staying. The horrifying events that unfold involve a superstitious lola, a monster, and a mysterious ulam.

The first episode "Mamanyiika" plays on the words "mama" and "manyika" which literally means "mother doll". The story of a possessed doll. The second episode, is the tale of three girls, one of them the apple of the eye of a terrible engkanto, who then captures the girl. Punerarya the third story, is a story of a tutor teaching the children of the ghoul entrepreneurs of a funeral parlor.