The rise and fall of Milli Vanilli, a studio group assembled by German producer Frank Farian and fronted by nightclub dancers Robert Pilatus and Fabrice Morvan. After a string of worldwide hit singles, awards and performances, it was revealed that the duo never sang a note of their songs, leading to one of the biggest scandals in music history.

I AM BAD is the voyeuristic story of a serial killer in love. Shot entirely from his point-of-view, we see what he sees, and travel through his life from his brutal childhood to the power he reclaims as an adult when he begins to feel the thrill of killing. Then he meets Anne. She's training to be a psychiatrist. Now his life alternates between the warmth and love he feels with Anne, and the horrific bloodshed he creates in her absence.

What do the Pope, a suitcase full of baking powder, four naive friends and the organ mafia have to do with each other? They are all part of a macabre and grotesque story with a lot of heart and a good dose of black humor. Sandpit friends Rico, Sigi, Dave and Glotze dream of cashing in big time. However, they hadn't planned on falling into the clutches of a drug baron and shady organ dealer. Their only chance is to play along with their adversaries - at least until they realize which heart really matters...

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

Hilde dies, and her family has only one thing on their mind: money. So they all gather at the large estate, determined to claim what they believe is rightfully theirs. A dysfunctional family, fed up with each other, yet always wanting more. The children—and their children—think they are going to inherit big, but Hilde still has something to say about it all. And then there are all the others. Everyone wants it, but who will get it? And what is “it” anyway?