The story of the CEO of a recently privatized company.

The story of Father Antonio Vieira, a 17th-century Portuguese priest who lived in Brazil and worked for better treatment of the Indians and to abolish slavery.

Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.

Portugal, late 1940's. André must leave the country after running away from prison. In Oporto some friends get him a guide, Lambaça, a smuggler who knows very well the Trás-os-Montes border from Portugal to Spain.

A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.

Miguel (Luis Miguel Cintra) is lucky that his income will only level off if he neglects his business as a financier, and his wife and family will be well supported. Why? Because he has begun hearing noises that no one else hears, noises that bother him a great deal, and that make it impossible for him to bear human society. His wife (Jessica Weiss) is thoroughly put out by this radically changed behavior in her formerly good husband, but though she considers leaving him, she stays by his side. Deep in the mountains, Cecelia (Rita Dias), a devout, pure young cowherd, has been brutally raped by an old man. Her boyfriend (Pedro Hestnes) has killed the rapist, and fled the area. As a result of the rape, Cecelia is pregnant. One day, while driving in the mountains, Miguel gives Cecelia's boyfriend a ride. The two of them chance upon her sitting amid the rocks with her infant baby.

Manô, an obscure and anonymous character from popular comedies of the 1920s, escapes the destruction of an old movie studio, materializing into the real world from a celluloid film. Manô tries to adapt and survive in present-day Lisbon, for which he is unprepared. Mariana, an unemployed photographer, meets Manô and tries to help him discover the reason for his return, despite Marco, a psychologist with little sense of humor, disliking this clumsy black-and-white character.

Estefânia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.

Two simple, unassuming, apolitical men have their lives changed forever when they find themselves hunted by agents of the ruling dictatorship.

An intriguing story about a family and a manor house (where some terrible crimes were committed in the past by a member of that family) adapted from a novel with the same title by Tabajara Ruas.