Nuria and her father end up stranded on the highway on their way to their town. At the risk of being forced to spend more time together than they’re used to, they decide to head over to the nearest motel by foot. Along the way they will realize that the distance between them is even bigger than they thought.

Manuela and Olmo meet in a future as they had promised fifteen years earlier as teenagers, when they lived their first love. Based on this romantic situation, La Reconquista is in fact a film on a quest for time; or about the awareness of time: of time lost and time recovered; about what we remember about ourselves and what we don't remember; about the words, gestures and feelings to which we remain faithful, because they define and compel us today, yesterday and tomorrow.

Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.