A bankrupt landowner, Redwitz, emigrates to America fleeing his card debts and leaving his daughter in the care of his neighbour, the Baroness Rajk, at the cost of the family jewels. When the jewels are gone, Veronika is chased away from the house. She grows up to be a beautiful young woman and marries a gifted, but poor composer, George Tishler. The young man falls ill because of hard work and his treatment is financed by Baroness Rajk on the condition that they do not tell Veronika’s now rich father about her marriage and child. Moving into her father’s house, Veronika complies with this wish for the sake of her husband, but soon grows to enjoy the role of a spoilt and celebrated girl and ceases missing her previous, poorer lifestyle. She pays for her infidelity with the loss of her child.

Márta has a secret affair with André. Her husband catches them and forces André to sign a declaration pledging to go into exile in America. Adapted from Gaston Leroux.

Directed by Aleksandr Razumnyj.

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

An ill-fated love affair between a brothel waitress and a doctor's son.

This presentation of 'Waterloo', a film by Karl Grune about the last hurrah of Napoleon, is a fascinating companion to the Abel Gance epic 'Napoleon'. 'Waterloo' presents a tale of several people involved in the final battle. Napoleon and Wellington, of course, but also the Austrian general Blutcher (who is seen as a ladies' man - his scene with a flirty Countess about halfway through the film is priceless; as are his touching scenes with his plain wife (who he imagines to be a young and nubile girl when they get romantic) and some people within his regiment. Not simply a film of war, 'Waterloo' is a story of people, of lovers, of lost opportunities.

Playboy Paul Le Barroy, weds Elyane Parizot because he is ready for children, and his mistress, Louise Bonvin, is not. After the honeymoon, Elyane informs Paul that she doesn’t want children, either. When Paul leaves her, Elyane blames Louise and confronts the ex-mistress with a gun.

The aging singer Clarina receives a new engagement from a cabaret called the Maison Mouche and must evade the advances of several overbearing men. This film is considered lost.