Directing
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One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.
In the future, people hide their faces behind a screen. But an unexpected encounter will awaken new questions in a young woman, who will make a transformative decision.
Emilia is sent to a convent where paranormal forces begin to mount among the religious and mentally ill women confined in the place.
Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.
Daniel is a journalist who is commissioned to write an article based on a photograph of a presumed suicide. As he begins his investigation, he meets Marcela, the enigmatic photographer assigned to him as a colleague, with whom he has never had a relationship before, and with whom he slowly begins to fall in love.
An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.
Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.
Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.
A couple in a car, starting with a cigarette, begins a discussion as ridiculous as interesting. The lack of communication and lack of harmony, attributes that are exploited in love (or lack thereof).
The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.