Journalistic investigation that exposes unknown details of the air mission that bombed the Chilean presidential house of La Moneda in 1973.

Journalistic investigation that exposes unknown details of the air mission that bombed the Chilean presidential house of La Moneda in 1973.

Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.

Eight years after having been raped at a beach near Santiago, a young filmmaker tells the story of the assault, the revictimizing judicial processes, and the friendship that helps her heal, in dozens of video-diary entries that comprise an artfully crafted, intimate documentary. A question remains: What is a rape, really, and when does it end?

Marco, a cynical and ambitious young lawyer, lives in Bari with his partner Martina and their eight-year-old son Mateo. Martina had left Chile and moved to Italy when she met Marco. Their relationship has run its course, however, and Martina longs to go back to her country with Mateo, but Marco, the loving father left out of the equation, is adamantly against the idea. The couple clash for weeks on end, until Martina abruptly leaves the country with their son, goes back to Chile and virtually vanishes. With no news of Mateo, time seems to stand still for Marco. Anguished and unable to cope, he finally rallies and sets off in search of his son.

Eight years after having been raped at a beach near Santiago, a young filmmaker tells the story of the assault, the revictimizing judicial processes, and the friendship that helps her heal, in dozens of video-diary entries that comprise an artfully crafted, intimate documentary. A question remains: What is a rape, really, and when does it end?

A Chilean student becomes involved in a feminist movement at her university. Suddenly, she becomes a central figure in the movement.

The first light becomes the raw material of an introspective diary. Through ten sequence shots conceived for the album and directed by Carolina Moscoso, the work builds a single audiovisual current in which music, image, and logbook intertwine. It is not a documentary in the traditional sense, but a continuous flow that brings together the everyday and the imaginative, revealing the most intimate dimension of an artist’s creative universe and the shared attempt with cinema to touch the everyday life of creation.